The fourth episode of the series recaps the main objectives of the Rewiring project and introduces the results of the large online brainstorm session held on 19 May.
David Pledger argues that a UBI requires a leap of imagination for Australian artists, out of the tactics of servitude and survival and into the heart of a strategy that can deliver a vision for all.
Cette page est disponible uniquement en anglais. As part of our major Rewiring the Network project, we have been publishing a series of four blog posts in which we explore the past, the present and...Read more
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As part of our major Rewiring the Network project, we have been publishing a series of four blog posts in which we explore the past, the present and the possible futures not only for our network but...Read more
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Les mesures mondiales de confinement ont généré une vague de numérisation, qui a sans l'ombre d'un doute emporté les arts du spectacle avec elle. Il n'est pourtant pas évident pour ce secteur de...Read more
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Global lockdown measures have generated a wave of digitalisation, and the performing arts have undoubtedly been pulled in with it. As it is not that obvious for the live arts to jump from the real...Read more
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This third episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and maps the concerns withen our sector.
The second episode of the series flashes back to past achievements of IETM since its misty origins in the early eighties, until now, and the conditions for the success.
In response to the current COVID-19 crisis, ISACS circulated a survey among their members to ascertain the impact of same on their livelihoods.
Le secteur des arts du spectacle a été profondément frappé par la crise actuelle du COVID-19. À l'aube des mesures de confinement prises par les gouvernements du monde entier, nous avons fait...Read more
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