In this Declaration from the European Theatre Forum 2020 co-written by IETM, we address the current challenges faced by theatre and the performing arts and put forward eight policy recommendations and actions to strengthen these sectors in the years ahead.
This essay written by Théo Majcher in 2017 with the support of the European Network for Cultural Centres (ENCC) is adressing the theme of European identity through the values of arts and culture.

European Theatre Forum 2020

The “European Theatre Forum 2020: European Performing Arts in Focus” (11-13 November) is an international platform for vision, discourse, exchange, networking and policymaking. Announced in July 2020, the “European Theatre Forum 2020: European Performing Arts in  Focus” will gather for the first time 200 theatre and performing arts representatives and  policy makers. Together, they will create a vital representation for the entire sector, within and outside Europe.

This Joint Research Centre report on COVID-19 and cultural and creative sectors identifies highly vulnerable cultural jobs and creative cities.
David Pledger argues that a UBI requires a leap of imagination for Australian artists, out of the tactics of servitude and survival and into the heart of a strategy that can deliver a vision for all.

Cultural Relations Platform

Cette page est disponible uniquement en anglais.

The Cultural Relations Platform (CRP) is an EU-funded project launched in April 2020, designed to support the European Union to engage in international cultural relations. IETM is part of the four-organisation consortium implementing the platform, together with Goethe-Institut Brussels, ECF - European Cultural Foundation and the Università degli Studi di Siena.

Les mesures mondiales de confinement ont généré une vague de numérisation, qui a sans l'ombre d'un doute emporté les arts du spectacle avec elle. Il n'est pourtant pas évident pour ce secteur de...Read more
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Global lockdown measures have generated a wave of digitalisation, and the performing arts have undoubtedly been pulled in with it. As it is not that obvious for the live arts to jump from the real...Read more
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