Thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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This report has been written with the aim of investigating and documenting how the State of Emergency (SOE) measures introduced after the July 15, 2016 coup attempt in Turkey have affected the country’s culture and art worlds.
picture from shutterstock
Elena DI FEDERICO
The income gap between men and women is wider in the arts than the average gap across all industries in Australia, research shows. This gap appears to be especially evident for female writers, visual artists and musicians.
Elenq
Cultural work with refugees has a long history. It is a contentious area. Instrumental approaches to cultural work with refugees raise significant issues. This briefing outlines the contentions, provides a theoretical basis for the work, gives leading examples of cultural work with refugees, including work that promotes intercultural understanding and work that promotes fear. It outlines key findings and recommendations, which have a substantial focus on ethical engagement, aesthetic importance and societal wellbeing.
Elenq
This briefing paper explores cultural work with refugees in Europe, analysing the current funding programmes of the European Union. The paper particularly focuses on the Erasmus+, Creative Europe and Europe for Citizens programmes. The findings are complemented by case studies and feedback from EU-funded projects under each programme. The paper provides recommendations for the future EU programme generation.
Veem Huis voor Performance - Amsterdam
Elena DI FEDERICO
Fair practice refers to a better labour market position for artists and fair business practices on the part of commissioning clients. The Dutch Fair Practice Code was drawn up jointly by makers, employers, trade unions, professional groups and other partners in the creative and cultural sectors, following a report by the Netherlands’ Council for Culture and Social and Economic Council. The draft version of the Code is now available also in English.
Jo VERRENT
A week or so back, Unlimited’s Senior Producer Jo Verrent met up with the Enablers connected to Eclipse Theatre’s Slate movement to talk about working with disabled artists. Here’s a list of some of the questions they discussed, and some of the answers they arrived at…
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The current paper presents those processes which characterizes the appointment of a leadership of Hungarian cultural institutions. Public theaters, performing arts institutions and independent theaters stay in the focus of the paper.
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In this article, I attempt to indicate the productive function of censorship based on examples of recent restrictions of creative freedom in Poland, understood as elements of a new political order.
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In the third issue of Polish Theatre Journal, we examine institutional practices in Polish theatre in the context of political and social changes. We analyse conditions for freedom of artistic expression and of mechanisms of censorship; we observe significant conflicts and struggles in theatre life, and scrutinize the entanglement of economic, political and aesthetic determinants.
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The new theatre season in Germany, especially in Berlin, has started with a lot of highlights. But the big news was that a group of about 100 German theatre activists called Staub zu Glitzer (Dust to Glitter) squatted in the Berlin Volksbühne between 22-26 September 2017.

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