Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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This IETM Porto workshop tried to articulate the challenges that art professionals in different countries face when making and touring their work, with the aim of identifying key factors for creating greater equity and mutual understanding. The workshop also looked at the different ways art markets function across countries, different opportunities, constraints, regulations that come along, and the concept of an art market itself.
Minister for Arts Josepha Madigan reaffirmed a commitment to the “arm’s length” funding of arts, when she visited the Arts Council on Monday as it announced arts funding for creative projects, artists and arts organisations.
The artistic making process...
Last Sunday my ten-year-old nephew asked me an impossible question: 'Uncle Caspar, what is art?' 'Jeez... that's a really big question.' 'But you make art, right?'
European Alliance for Culture and the Arts welcomes the European Commission’s proposal for the EU’s Multiannual Financial Framework for 2021-2027, which maintains Creative Europe as a self-standing programme, with an increased budget € 1.4 billion to €1.8 billion.
Endless, Community Dance Project. Dançando com a Diferença © Júlio Silva Castro
Acesso Cultura (Portugal) considers that, thanks to the continuous promotion of accessibility and the legislation in force, professionals in the cultural sector are more aware now of the existence of physical barriers to cultural venues. However, in addition to the legislation not being implemented, it is also true that our reflection on access does not go much further than the physical aspect and, even in this case, beyond the need for ramps and adapted bathrooms.
The European Commission has released a Communication on a New European Agenda for Culture (Agenda), which puts forward a bold and balanced approach to culture as a vital component and a powerful driver of social cohesion, economic development and international relations.
Hamlet Babylon at Gogolfest 2013
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120 theatres (state-funded and independent) functioning here, and the audience numbers are around 5.6 million per year (in accordance with government statistics). This is not including touring, projects and interdisciplinary practices.
A new study, drawing on 1.5 million images of cultural spaces in London and New York, finds that cultural capital is a key contributor to urban economic growth.
Women are the major consumers as well as the largest percentage of employees in the arts. Yet their presence as artistic leaders remains low or, in some sectors, non-existent. Of the 28 organisations presently funded under the Australia Council framework of the major performing arts, only three, Black Swan Theatre Company, Orchestra Victoria and the Queensland Symphony Orchestra, have female artistic leaders
Creative Europe is a unique programme in Europe, tailored to the needs of the cultural and creative sectors. It is the main programme that contributes to the cultural policy objectives of the EU. The programme targets the right priorities, but its modest budget prevents it from making a substantial impact. The report provides recommendations for a more ambitious future programme, reflecting the richness of European cultural diversity.

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