Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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Culture has regained prominence in recent years within the discourse of the EU and its institutions. In the face of euroscepticism, EU officials have turned to culture to promote European values and enhance citizens’ feeling of a shared identity. But should culture really be shouldered with ensuring the EU’s survival?
Like a lot of freelance artists, what I get paid ranges from a lot to nothing, according to the commissioner’s resources, what I’ve been asked to do, and my own wish to do it. So my choices about what work to take on hover between interest and need, but at least I get to choose. But what about the non-professional artists, the people who participate in art projects? What choices do they have?
MUNICH — In the summer of 2015, the world watched in astonishment as Germans cheered crowds of refugees streaming into train stations throughout the country. Scenes from that unprecedented — and short-lived — moment of welcome form part of “What They Want to Hear,” one of two current productions about exile and its ordeals at the Münchner Kammerspiele, one of Munich’s, and Germany’s, most important theaters.
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of the emergence of a new global culture of silencing others, where artistic expression is being shut down in every corner of the globe, including in the traditionally democratic West.
How can we make it possible to extend the performing arts beyond their conventional live existence? How can we allow our performances to be seen and experienced by a broader public, not restricted by the place and time in which they were conceived and presented? How can we build the heritage and history of live arts? What are the various means of archiving our art form, and how does each of these affect the content and meaning of the piece, if at all?
How is performing art inspired, produced and experienced in the peripheries of mainland Europe? What challenges and opportunities does geographical remoteness bring? What is the role of networks, like IETM, for the “peripheral” arts communities? This IETM Porto session showcased some examples from Portugal, Slovenia, Norway and Lithuania.
Activists placed rainbow-coloured flower pots near policeman statue protesting against Interior Ministry’s official stance on rights of sexual minorities Students of Fortinbras theatre laboratory at Belarus Free Theatre staged a nonviolent protest near a policeman statue outside the Interior Ministry’s headquarters to support LGBTQ+ communities.
Arts Council England is to hire an economist for the first time, claiming the new role will enable it to make a stronger financial case for the sector.
This IETM Porto workshop tried to articulate the challenges that art professionals in different countries face when making and touring their work, with the aim of identifying key factors for creating greater equity and mutual understanding. The workshop also looked at the different ways art markets function across countries, different opportunities, constraints, regulations that come along, and the concept of an art market itself.
Minister for Arts Josepha Madigan reaffirmed a commitment to the “arm’s length” funding of arts, when she visited the Arts Council on Monday as it announced arts funding for creative projects, artists and arts organisations.

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