Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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Nan van Houte parle de l'importance des citoyens créatifs et exprime son désir que les organismes de financement soutiennent davantage la démocratie culturelle.
This is a book about participatory art and its more radical predecessor, community art. It is written from a perspective of engagement.
Lyn Gardner looks at how several British theatre companies are redefining their mission and expanding in ways to be of greater benefit to their communities.
Lyn Gardner examine comment plusieurs compagnies de théâtre britanniques redéfinissent leur mission et se développent à dessein de mieux servir leurs communautés.
Cultural institutions and organisations across Europe have enacted many forms of engagement, from co-creation processes (such as community art, immersive theatre, site-specific approaches) to actual forms of co-programming. In this scenario, the notion of active spectatorship introduces a new perspective.
To what extent is international cooperation structured by cultural identity or, on the contrary, does it build bridges between cultures? What decides the methods, the topics and structures involved in intercultural dialogue? How does cultural diplomacy and international cultural cooperation create equity and mutual understanding? These questions were at the heart IETM Munich session Postcolonial minefields.
During the first week of December 2018, IETM Caravan brought 36 participants to the State of Palestine. For most of them it is their first visit to this state without autonomy in its ever shrinking territory.
Andrea Kovich talks about the importance of disability representation on Seattle's stages and Sound Theatre Company's recent work in that area.
Royal Opera House’s Swan Lake at DAGFEST 2018, Creative Barking and Dagenham Photo:  Jimmy Lee Photography
“It’s not somebody coming in to tell us we’re so uneducated we need to draw pictures!” – the words of a Made in Corby participant. Yes, that old chestnut again. Seems we’ve still not cracked it. Yes, there are some individual organisations doing great work, and yes there have been some well considered funding initiatives, but the overall pattern of who engages with arts and culture in England is still stubbornly stuck.
I’ve noticed a troubling trend in the world of transgender theatre. When I hear about a show with a trans character, even starring a trans actor, I rush to see it, wondering, What new frontiers of gender and identity will we be exploring tonight? And, almost very time, the answer is: None.

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