Durabilité

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

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P60 is a well-established music venue in Amstelveen, a suburb of Amsterdam organizing concerts, club nights and other activities.
Patricia Pardo Company is a small performing arts company from Spain with strong political agenda and beliefs.
Truc Sphérique is a non-governmental cultural organisation from Žilina, Slovakia, that has long relied on value-driven economy prioritising autonomy of its staff over a structure.
Village Underground is an independent cultural venue based in East London, which, despite its long-running history of success, has been recently facing new challenges.
The following report summarises the major findings of the online survey on business model innovation in cultural centres and performing arts organisations.
Amsterdam-based company New Heroes develops and produces projects, that might include performances, podcasts, documentaries, exhibitions, etc.
Teple Misto is a Ukrainian cultural centre whose aim is to provide a meeting point for different stakeholders in the city.
Access All Areas is a London-based centre that makes urban, disruptive performance by learning disabled and autistic artists.
The following Creative Lenses report brings to light the story of AMBASADA, a cultural and resource centre from Romania.
PPCM is a creative initiative from Bagneux, France, that fuses together urban and circus arts with social action.

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