Durabilité

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

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The arts sector needs to play its part in dealing with the significant changes that have occurred in our climate. For artists it is to imagine new futures that accommodate all of society; for institutions it is to divest themselves of board, sponsorship and partnership arrangements with fossil-fuel producers. The two are interlinked.
Move on! is a practical guide aimed at European artists and cultural professionals starting their international careers. It provides practical tips and lists online resources that can be useful for European artists and cultural professionals from all arts and cultural disciplines, including teachers in art schools and universities.
With the Arts disappearing as a Federal Government department title, David Pledger looks around the world to see how other nations value their culture and finds some lessons for Australia.
The Security, Creativity, Tolerance and their Co-existence : The New European Agenda on Freedom of Artistic Expression outlines how European governments carry the legal responsibility to respect, protect and fulfil obligations to artistic freedom. The report further draws attention to the alarming trend of governments targeting artists under the existing laws such as anti-terrorism legislation, or with the use of laws prohibiting offending religion such as hurting “religious feelings” and art that is considered to be “blasphemous” or “obscene”.
This text is the conclusion of the Landscape Sketch of the Arts, a publication of Flanders Arts Institute about trends and developments in the arts field in Flanders and Brussels.
A new UNESCO study uncovers persisting and emerging challenges artists and cultural professionals face and examines how countries around the world are addressing these issues through policymaking.
Performing arts practices of today survive in a peculiar ecology thanks to the role given to various cultural institutions, whose mission is no longer to produce art but to reproduce a consumerist relation to work in art, whereby the artists grow less and less present through their artworks and more and more through their labour.
Seven lessons learnt during a brainstorm at the IETM Plenary Meeting in Rijeka (24 October 2019)
Bringing concrete examples from the Adriatic area, this book brings advice on how to reduce the impact that waste generated at events has on the environment in general.
©Illias Teirlinck
According to Bruno Latour, the defining cultural-political issue of our time is not the struggle between the Left and the Right, but that between the Local and the Global attractor.

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