Valeurs de la culture

Le monde d’aujourd’hui ne pense qu’à mesurer l’impact de chaque activité publique (subventionnée). Votre projet présuppose-t-il qu’il faille dépenser de l’argent public ? Si oui, soyez prêt à justifier sa valeur avec des nombres et des faits concrets à l’appui.

Même si de nombreuses études ont révélé que la culture influençait fortement la création d’emplois et la croissance économique, il est difficile de quantifier l’impact intangible des arts.

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"Art and culture are under immense threat. I am not thinking only about those sustained by public subsidy but about the fate of culture itself. Our system of collective and individual meaning-making has been given over to a market-machine for the capture of ‘profit without production’, whose dominating logic is financialisation and the battery of digitised metrics that goes along with it."
Cultural policies which ensure freedom of expression and promote creativity are essential for a country's long-term development. This was the main theme of a debate on 2 May, between UNESCO’s Director-General, Irina Bokova and six Nordic culture ministers, marking the start of this year’s World Press Freedom Day events in Helsinki, Finland.
"Intercultural communication also matters for international political achievements. Policy makers tend to talk over each other, rather than with each other, in global governance systems due to the lack of intercultural exchange." Helly, D. 2016. Intercultural integration and communication: An agenda for Europe. ECDPM Talking Points blog, 21 April 2016.
In a world where individualism has killed cooperation and the capacity for being and working together, where cooperation sucks and self-reliance seems so cool, we are smoothly and consistently dismantling all social ties. Why am I supposed to do something with my neighbours? I'd rather do it alone. Cultural initiatives that challenge this extremely individualized model of the world are worth closer attention, as they help us re-establish social ties and our trust in others.
Policymakers need to know that a policy “delivers”, and for that they need measurable results. This has skewed research towards quantitative methods, but these can’t capture the subtleties of the way we appreciate art. Appreciation is unpredictable. One can never know for sure what impact a work of art will have.
En première ligne de la précarisation et de la casse du droit du travail, les intermittents du spectacle lancent plusieurs occupation de théâtre parisien et appellent l’ensemble des travailleurs à construire le tous ensemble et la grève générale reconductible.
“Wouldn’t you just die without Mahler?” This classic line from Willy Russell’s Educating Rita, spoken by the broken aesthete Trish, signifies both main character Rita’s entry into the realms of cultured bohemia and the hysterical emotiveness often associated with the late composer. A confession. I used to think I suffered from some mild form of anhedonia, an alienation from responses like those experienced by Trish. An aesthetic deficiency which meant I wasn’t able to be taken cognitive hostage by the cultural works I had consumed after reading heady reviews. Novels that had left the reviewer...
The Cultural Value project, supported by the Arts and Humanities Research Council, looked into the question of why the arts and culture matter, and how we capture the effects that they have. The Project had two main objectives. The first was to identify the various components that make up cultural value. And the second was to consider and develop the methodologies and the evidence that might be used to evaluate these components of cultural value.
For those steeped in contemporary art theory, walking into Zuccotti Park was an uncanny experience. In a kind of historical displacement, contemporary art was at that moment thrown into relief as a distant prefiguration or prophecy of what was now happening in real time, too close for the comfort of the exhibitions, conferences, and catalogues within which the radical aspirations of contemporary art had sought refuge. As an historiographical provocation, one that admittedly borders on the eschatological, it might be said that this moment of passage represents the end of socially engaged art .
Arts Rights Justice has written a Public Toolkit Public Toolkit for artists, cultural workers and organisations facing violations of artistic freedom, and for arts associations, networks and cultural organisations that may already have or want to have a role in protecting artists and artistic freedom, as well as for human rights and free speech NGOs that are working on protecting artists and artistic freedom.

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