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Alors que dans certains pays d’Europe les arts sont pris au piège des réalités du marché et opprimés par des exigences telles que le surplus économiques, la liberté créative est engloutie par les agendas politiques et étouffée par la présence des états dans les arts.

Libéralisme, liberté, financement public, ingérence étatique ; ces notions - que nous avons tous en tête de temps en temps - sont-elles perçues de la même façon dans des contextes historiques, économiques et sociaux différents ? Cette section nous donne un aperçu des divers paradigmes, défis et aspirations qui prévalent aux quatre coins du monde.

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Commissioned in the framework of IETM Rijeka Plenary Meeting 2019 , this mapping provides an overview of the performing arts scene in Croatia: current characteristics, challenges and trends as well as a historical context of Croatian theatre.
In this analysis of Australia’s public arts funding, David Pledger correlates the conditions of the small-medium and independent sector with one of the country’s principal river systems.
A follow-up of our mapping " Creation and Displacement. ", this publication goes back to some of the projects engaging creatively with displacement.
This 37-page publication, written by Toni González-Escena Internacional, gathers all the necessary information so that organizations and artists of the performing arts and music can answer the key questions: what are we? what do we do? why do we do it? how do we do it? what we offer? and what is our trajectory and achievements? It also proposes techniques for these artists and organizations to write their own narrative and from it extract communication messages, slogans and keywords necessary for web pages and other communication supports. Furthermore, it contains multiple real-life examples...
© Xiaozhuli
Toronto-based American actor Jesse LaVercombe looks at how Canada's public arts funding has had an impact on the theatre that gets made.
Lyn Gardner looks at how several British theatre companies are redefining their mission and expanding in ways to be of greater benefit to their communities.
Lyn Gardner examine comment plusieurs compagnies de théâtre britanniques redéfinissent leur mission et se développent à dessein de mieux servir leurs communautés.
To what extent is international cooperation structured by cultural identity or, on the contrary, does it build bridges between cultures? What decides the methods, the topics and structures involved in intercultural dialogue? How does cultural diplomacy and international cultural cooperation create equity and mutual understanding? These questions were at the heart IETM Munich session Postcolonial minefields.
During the first week of December 2018, IETM Caravan brought 36 participants to the State of Palestine. For most of them it is their first visit to this state without autonomy in its ever shrinking territory.
Culture, sports, and social policy have all been folded into a new "ministry of citizenship."

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