All themes

"Themes" is a stream of content generated or created by both IETM staff and our members. In focus are the subjects we consider essential in the contemporary performing arts today: the relationship with the audience, EU cultural policies, diversity & inclusion, sustainability of the sector, the value of the arts in society, and the paradigms, challenges and aspirations faced by the sector in different parts of the globe.

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In the not too dim and distant past, the word might have elicited groans – another thing to think about, another box to tick. Responding to a variety of audience needs can be demanding especially when it has been about physical space, for example, adapting old buildings to modern day demands.
Stopgap Dance Company, Artificial Things, 2013. Dampfzentrale Bern/flickr, CC BY-NC-SA
For three weeks each August the city of Edinburgh explodes with life as it showcases the best in the arts via The Edinburgh Fringe Festival.
In this publication, the Arts Council sets out and invites the arts sector to engage with a new and different approach to diversity and equality in the arts, which we are calling the Creative Case.
Among the new approaches to the management of cultural diversity, multiculturalism became a widely popular solution early on. As any other solution, it had to be pushed forward. “The concrete benefits of multicultural citizenship include higher levels of naturalization, greater incorporation into the political system, and less violent debates about the accommodation of diversity” (Bloemrad, 2007, p. 170-171).
Why should the digital bring about ideas of progress in the theatre arts? This question opens up a rich seam of provocative and original thinking about the uses of new media in theatre, about new forms of cultural practice and artistic innovation, and about the widening purposes of the theatre's cultural project in a changing digital world. Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Bill Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the...
In the theatre world, the desire to reach new audiences is important not only as a monetary venture, but also as a way to experiment with new ways of doing and defining theatre. Cultivating new audiences is usually part of the mission statement of any theatre, troupe, or individual artist.
“We need the ability to create ideas that in advance are thought to match the many narrative tools we shall use digitally and socially.” Steffen Hjaltelin, Danish advertising guru and director, Hjaltelin Stahl
This is an excerpt of On Assignment, education writer Theresa Harrington's blog on Contra Costa County schools.

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