Valeurs de la culture

Le monde d’aujourd’hui ne pense qu’à mesurer l’impact de chaque activité publique (subventionnée). Votre projet présuppose-t-il qu’il faille dépenser de l’argent public ? Si oui, soyez prêt à justifier sa valeur avec des nombres et des faits concrets à l’appui.

Même si de nombreuses études ont révélé que la culture influençait fortement la création d’emplois et la croissance économique, il est difficile de quantifier l’impact intangible des arts.

 

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Who Are We? This is the question that London’s Tate is asking at its free six day cross-platform event spanning the visual arts, film, photography, design, architecture, the spoken and written word and live art.
Is Europe’s main problem linked to the institutions and the cumbersome decision making process as the White Paper seems to suggest? Is the future of Europe merely a matter of logistics? Is it not the very idea of Europe itself that is at stake?
Sadly, it has become clear that the N.E.A. is, once again, under threat of being abolished, along with the National Endowment for the Humanities. The purported reason is cost savings
The plaza in front of the one of the festival theatres. Nitra, Slovakia.
While I grew up during the fall of the Soviet Union, it’s important to acknowledge that Western anti-communist propaganda and the lingering effects of the Cold War kept me distanced from any realistic notion of life and culture in Eastern Europe.
Between 6 and 9 October, Flanders Arts Institute, together with a substantial delegation of artists and arts organisations from Flanders and Brussels, took part in the IETM Satellite Meeting in Beirut. A Satellite Meeting is a smaller gathering of the IETM network, each time with a focus on a specific theme and/or region.
Poster of When Swallows Cry, play by Mike Van Graan
"To be a writer does not require race essentialism and/or racial solidarity; it requires human empathy."
From 26 to 29 January, IETM organised a Caravan meeting in Tehran, coincided and partly hosted by the Fajr International Festival. Since we preferred to meet with a broader slice of the performing arts scene, especially the ‘independent’ artists and those forced to work ‘underground’, our daytime programme was compiled by several partners in Tehran.
Salzburg Global Seminar
The role of the arts and cultural sector and resilience is being discussed by Salzburg Global Seminar at the session The Art of Resilience: Creativity, Courage, and Renewal. Fellows at this session have a vast amount of experience in their fields. Here are a few of their thoughts.
Tazreen
Last year I was the recipient of an Individual Artist Grant from the Asian Cultural Council in New York that enabled me to live and work in Dhaka, Bangladesh from October to December 2016. My project was to research the garment factory industry by focusing upon women who survived the 2012 Tazreen Factory Fire.
A systematic literature review of contributions to the arts and cultural sector which have appeared in accounting journals shows that the evaluation of the artistic performance of publicly funded arts organizations is not a purely procedural and technical issues relating to the production of better performance information, but it is above all a substantive and political one relating to the nature of the arts and the function of publicly funded arts organizations in individual communities and in society in general.

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