Durabilité

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

Emma Wilson
At the end of the third year of the partnership between Arts Council England and Julie's Bicycle, this report presents the results of environmental reporting and shows how the arts and culture sector is increasingly choosing to take positive action.
safadi
Live and recorded screenings have the potential to develop and serve new audiences for small-scale theatre companies, as well as generate income, report concludes.
IETM
How can arts and cultural organizations increase their own income or resources to develop a more sustainable practice without compromising their vision, mission and not-for-profit values?
IETM
A guide to building a balanced, sustainable artistic life. Don't starve. Make art.
IETM
Nearly 60% of theatre and dance organisations claim to have benefited financially from being more environmentally friendly, according to a new survey.
IETM
Ah, “sustainable.” It is a buzzword of the moment, showing up in discussions ranging from the environment, manufacturing, agriculture… even the arts. Of course, everyone wants to be sustainable, thinking that they, their product, or their service will stand the test of time and last forever. I’d like this willful misuse of the term to stop—particularly among arts organizations.
IETM
Sustainability in the dance field is composed of four interconnected dimensions: cultural(including artistic), ecological, economic and social. It is therefore only natural that in orderto strengthen the sustainability of the dance field it is necessary to pay attention to all fourkey aspects. The keðja Think Tank on Sustainability calls for a holistic approach in dancesector development, taking into account the entire value chain and the life cycle of artisticwork and careers. The recommendations are divided into five key areas with the followingaims: (1) to build bridges between the dance...
Preemptive Media (Beatriz da Costa, Jamie Schulte, Brooke Singer), AIR (Area's Immediate Reading), 2006. Prototypes of portable air quality measurement kits to monitor various air pollutants, accompanied by data visualizations of the findings. AIR is a process-oriented, socially based artwork that integrates the community into the creation and presentation of the work.
IETM
Sustainability has become the new “social networking”-at least it seems to have superseded the latter as the catchword du jour. An increasing number of conferences, think tanks, art exhibitions and publications have been devoted to the subject over the past few years and have reached critical mass. One might argue that a focus on sustainability is the next logical step after the rise of social networking enabled by the user-generated content of Web 2.0 sites-such as blogs, Wikis, MySpace, YouTube, and Flickr: networking itself is intrinsic to digital technologies, which allow for multiple...
IETM
This guide will help you to integrate environmental sustainability in capital projects from conception through to completion. It focuses mainly on larger capital projects and redevelopment of existing buildings and infrastructure, but is also relevant to smaller capital projects and new builds.
IETM
In the summer of 2010 I performed in my first ever Fringe Festival. I had known about the Fringe circuit for a long time. I had volunteered at the San Francisco Fringe as a technician ten years earlier where I saw some of the worst theatre in my life. It was at that point (at the ripe age of twenty-five) when I decided to stop pursuing theatre the way I had previously. By this point I had created three solo shows and directed a play I wrote, but when I moved to the Bay Area something changed.

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