International network
for contemporary
performing arts

Réseau international
pour les arts du spectacle
contemporains

Rete internazionale
per le arti performative
contemporanee

コンテンポラリー
パフォーミングアーツ
国際ネットワーク

Internationales Netzwerk
für zeitgenössische
darstellende Künste

Международная сеть современного 
исполнительского 
искусства

Red internacional
para las artes escénicas
contemporáneas

Internationaal netwerk
voor hedendaagse
podiumkunsten

თანამედროვე საშემსრულებლო
ხელოვნების
საერთაშორისო ქსელი

Rede internacional
para as artes performativas
contemporâneas

الشبكة الدولية
لفنون الأداء
المعاصرة

Alþjóðlegt
tengslanet
í sviðslistum

Xarxa internacional
d'arts escèniques
contemporànies

Rhwydwaith rhyngwladol
ar gyfer celfyddydau
perfformio cyfoes

Rrjeti ndërkombëtar
për artet skenike
kontemporane

Διεθνές δίκτυο
για σύγχρονες
παραστατικές τέχνες

Međunarodna mreža 
za savremene 
scenske umjetnosti

Mezinárodní síť 
pro současné 
divadelní umění

International netværk
for kontemporær
scenekunst

Internasionale netwerk
vir kontemporêre
uitvoerende kunste

თანამედროვე საშემსრულებლო
ხელოვნების
საერთაშორისო ქსელი

Nemzetközi hálózat
a kortárs
előadóművészetért

國際當代表演藝術網絡

líonra idirnáisiúnta
na taibhealaíona
comhaimseartha

Starptautiskais tīkls
laikmetīgai
skatuves mākslai

Netwerk internazzjonali
għall-arti performattivi
kontemporanji

Międzynarodowa sieć
na rzecz współczesnych sztuk
performatywnych

Internationellt nätverk
för samtida
scenkonst

Međunarodna mreža
savremenih izvođačkih
umetnosti

Международна мрежа
за съвременни
сценични изкуства

Rrjet ndërkombëtar
për arte skenike
bashkëkohore

Міжнародная сетка
сучасных
перфарматыўных мастацтваў

Međunarodna mreža
za suvremene
izvedbene umjetnosti

国际当代表演艺术网络

Rahvusvaheline
kaasaegsete etenduskunstide
võrgustik

현대 공연 예술을 위한 국제 네트워크

Tarptautinis tinklas
šiuolaikinis
scenos menai

Интернационална мрежа
за современа
изведувачка уметност

شبکۀ بین المللی
برای هنرهای نمایشی معاصر

Rețeaua internațională
pentru artele spectacolului
contemporan

Medzinárodná sieť
pre súčasné
scénické umenie

Çağdaş
gösteri sanatları için
uluslararası iletişim ağı

IETM Focus Bradford 2025
22 - 24.10.2025
What to expect in the facilitated workshops

Two of the sessions will involve an interactive workshop element:

There is no obligation to prepare for these workshops but if you would like to think about them in advance, we have provided an overview below of questions we will be considering as part of the workshop activities:

Art, Policy and Influence

We are going to try and consider policy recommendations that would support the aims identified in IETM’s publication The New International - Against All Odds (see pages 30 and 31):

  1. Rebalance powers
  2. Enhance and contextualise fairness
  3. Make climate justice a reality
  4. Make fairness ecological, and ecology fair
  5. Foster politics of trust
  6. Champion a system change

You don’t have to provide big or expensive solutions, just identify the problems/solutions within these themes and consider:

  • What are the barriers?
  • Who do you need to influence?
  • What could be a solution?  

Make sure you think about this in an international context, i.e. how do you foster a politics of trust in an international context. If you want to think about the UK-EU relationship, please do so.

You might also want to consider the question:

  • What policy issues are most affecting you or your communities now when trying to work internationally as a performing arts organisation or artist?

The session will also ask you to consider:

  • Which networks and campaigns represent your interests regarding international working?
  • Where do you feel represented, and where are the gaps?
  • Are there particular networks that could help advocate for some of your policy recommendations?
Balancing accessibility and equity with local cultural contexts: navigating the realities of working internationally for disabled and racialised artists

If you are an artist, here are some questions we will consider:

  • What are the biggest perceived or known barriers to touring for you? Think about every aspect of the tour - travelling, accommodation, navigating a new space, the work itself, etc.
  • What is your ideal touring scenario?
  • What can you bring to make touring as accessible and safe as possible?
  • What do venues and producers need to do to make touring as accessible and safe as possible?
  • What things can you put in place now/soon to support your touring?

If you are a touring company:

  • Who really holds the power when we tour - and what are we giving up in exchange for international opportunities?
  • What are your reasons for international touring (or wanting to)?
  • What impact does touring have on your team’s wellbeing or access needs and who has responsibility for making sure people have everything in place to do their best work?
  • How much control do artists have over decision-making for international touring?
  • Can you tour on your own terms and if not, who do you need buy-in from to help make sure the whole team has a good experience?
  • What does a values-driven touring model look like for you and who can help you build it?

If you are a venue, festival or otherwise host visiting artists:

  • What are the benefits of welcoming touring artists and companies?
  • What are the greatest challenges in welcoming artists and companies?
  • What does your welcome and hosting process look like?
  • Do the artists and companies you invite reflect the demographics of your local community?
  • How do you evaluate your relationships and engagements with touring artists and companies?
From insights to action: using Perform Europe’s learning to design inclusive and green touring projects

You can find out more about Perform Europe here and you see the project’s 7 Strategies of Change here

The questions we will consider in the session are:

  • What changes are Perform Europe projects making in how they create, tour, collaborate and connect with communities?
  • Which examples inspire new ways of thinking about touring, inclusion and ecological sustainability?
  • Which of the Perform Europe strategies connect most with your own practice or organisation?
  • How could you adapt or test these strategies in your own context?
  • What does a fair and green touring model mean in your reality?
  • What can we learn from each other across different regions and practices?
  • How can Perform Europe’s insights help you design future projects or collaborations?
  • What further support, tools or knowledge-sharing formats would help you move from insight to action?