Valeurs de la culture

Le monde d’aujourd’hui ne pense qu’à mesurer l’impact de chaque activité publique (subventionnée). Votre projet présuppose-t-il qu’il faille dépenser de l’argent public ? Si oui, soyez prêt à justifier sa valeur avec des nombres et des faits concrets à l’appui.

Même si de nombreuses études ont révélé que la culture influençait fortement la création d’emplois et la croissance économique, il est difficile de quantifier l’impact intangible des arts.

 

Elenq
"What does the deregulated, privatized economy possibly have to offer artists? For anyone who believes artistic representation preserves, or should preserve, an impulse for freedom and a degree of social dissent, the very possibility of a détente between artists and neoliberalism must be greeted with alarm.
Elenq
"Institutions today are more opaque, more exclusive, and they share objectives intrinsically linked to corporate, neoliberal agendas (to the point that those agendas have become invisible). Cultural institutions are the administrative organs of the dominant order, and cultural producers actively contribute to the transmission of free market ideology across all aspects of our lives."
Elena DI FEDERICO
Even - indeed, especially - in the painful and complex context of the fight against terrorism, democratic societies should never renounce their own ideals.
Libertad Titiriteros
tonigonzalezbcn
Two puppeteers in Spain have reportedly been jailed, charged with “glorifying terrorism” during a children’s show in Madrid. Alfonso Lazaro de la Fuente and Raul Garcia Perez were arrested after staging a show featuring the hanging of an effigy of a judge, the stabbing of a nun with a crucifix and several police beatings, according to reports. Sign the petition that calls for the immediate release of the two Spanish puppeteers (only available in Spanish).
Anonymous
The Middle East Institute co-hosted a panel discussion exploring the value and impact of the arts in conflict zones. The panel was organized with the Media Lounge at the College Art Association's annual meeting in Washington, D.C.
Elena DI FEDERICO
Ai closed his exhibition Ruptures at Denmark’s Faurschou Foundation Copenhagen, in protest at a new law that allows Danish authorities to seize valuables from asylum seekers. “The way I can protest is that I can withdraw my works from that country. It is very simple, very symbolic – I cannot co-exist, I cannot stand in front of these people, and see these policies. It is a personal act, very simple; an artist trying not just to watch events but to act, and I made this decision spontaneously.”
Anonymous
He had gone “from being an artist who makes things, to being an artist who makes things happen.” Is political art becoming a restrictive term?
Elenq
There is growing international interest in the potential of the cultural and creative industries to drive sustainable development and create inclusive job opportunities. An indication of this is a recent set of UNESCO guidelines on how to measure and compile statistics about the economic contribution of the cultural industries. But should this be the only reason for funding arts and culture? Cultural industries can be defined as those whose major outputs have some symbolic value – such as fine arts, film and craft – but also possibly including jewellery design, publishing and fashion...
Geoliane A.
“There was a group of men inside, some in uniform and others in plainclothes. They started shouting at me and asking me what my religion was,” he said. “Then they started asking about comics. I was confused.”
Elena DI FEDERICO
Europe has a ‘problem’; it is becoming a ‘less cultural continent’ as fewer Europeans are ‘engaging in cultural activities’. This paper questions the existence of this ‘problem’ and instead suggests that there is a shared problematisation across Europe sustained by common discursive archaeology that employs various discursive strands in relation to a dominant institutional discourse. The argument is that the ‘problem’ of ‘non-participation’ legitimates a ‘solution’ that predates its emergence: the state subsidy of arts organisations.

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