Thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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How can arts and cultural organizations increase their own income or resources to develop a more sustainable practice without compromising their vision, mission and not-for-profit values?
Clara, assistant producer for Unlimited, introduces a new guide for producers and performance makers: Demystifying Access – how to create better access for audiences to the performing arts
A great amount of time, energy, and resources are put towards bringing in new, non-traditional audiences. But what are we doing with those newbies once they arrive? How are we treating them to ensure they come back?
The book No Culture, No Europe: On the Foundations of Politics, edited by Pascal Gielen brings together contributions by an interdisciplinary group of theorists and scientists who argue that the European Union’s lack of attention towards culture is the main cause of the today’s political and economic crises.
German theatre Schauspielhaus Bochum invited the public to pack into a refrigerated truck to give them a glimpse into the hardships experienced by people trying to reach Europe from war zones.
How best to get disadvantaged youth to engage with complex and sensitive topics such as food banks, domestic violence and sexual health? Immediate Theatre approaches such topics through drama workshops.
This four-part series documents the experiences of a young, Fulbright fellow, avidly exploring theater and life in Bucharest, Romania.
Taking as its starting point the Nordic cultural policy debates surrounding audience development, which concentrate either on reaching out to new target groups or on artistic quality, this article suggests that the focus on the audience’s experience of theatre performances has thus far been underdeveloped.
How Steppenwolf Theatre Company is turning singlie-ticket buyers into repeat visitors. by Bob Harlow, Thomas Alfieri,Aaron Dalton, and Anne Field
After collecting more than 100,000 survey responses, Leo Sharrock and Helen Palmer can reveal the main reason people attend the arts.

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