Thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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Despite decades of investment in audience development and the current enthusiasm for all things data, arts organisations still aren’t getting it, says Michael Nabarro.
Since the 2011–2012 season, Mixed Blood Theatre in Minneapolis has practiced Radical Hospitality, providing no-cost access to all mainstage productions for any audience member.
Dr. Jane Chu
The Wallace Foundation announced a $40 million arts initiative, which will provide funding for approximately 25 arts organizations over six years to build and maintain audiences.
A guide to building a balanced, sustainable artistic life. Don't starve. Make art.
Nearly 60% of theatre and dance organisations claim to have benefited financially from being more environmentally friendly, according to a new survey.
Ah, “sustainable.” It is a buzzword of the moment, showing up in discussions ranging from the environment, manufacturing, agriculture… even the arts. Of course, everyone wants to be sustainable, thinking that they, their product, or their service will stand the test of time and last forever. I’d like this willful misuse of the term to stop—particularly among arts organizations.
Sustainability in the dance field is composed of four interconnected dimensions: cultural(including artistic), ecological, economic and social. It is therefore only natural that in orderto strengthen the sustainability of the dance field it is necessary to pay attention to all fourkey aspects. The keðja Think Tank on Sustainability calls for a holistic approach in dancesector development, taking into account the entire value chain and the life cycle of artisticwork and careers. The recommendations are divided into five key areas with the followingaims: (1) to build bridges between the dance...
Preemptive Media (Beatriz da Costa, Jamie Schulte, Brooke Singer), AIR (Area's Immediate Reading), 2006. Prototypes of portable air quality measurement kits to monitor various air pollutants, accompanied by data visualizations of the findings. AIR is a process-oriented, socially based artwork that integrates the community into the creation and presentation of the work.
Sustainability has become the new “social networking”-at least it seems to have superseded the latter as the catchword du jour. An increasing number of conferences, think tanks, art exhibitions and publications have been devoted to the subject over the past few years and have reached critical mass. One might argue that a focus on sustainability is the next logical step after the rise of social networking enabled by the user-generated content of Web 2.0 sites-such as blogs, Wikis, MySpace, YouTube, and Flickr: networking itself is intrinsic to digital technologies, which allow for multiple...
This guide will help you to integrate environmental sustainability in capital projects from conception through to completion. It focuses mainly on larger capital projects and redevelopment of existing buildings and infrastructure, but is also relevant to smaller capital projects and new builds.
In the summer of 2010 I performed in my first ever Fringe Festival. I had known about the Fringe circuit for a long time. I had volunteered at the San Francisco Fringe as a technician ten years earlier where I saw some of the worst theatre in my life. It was at that point (at the ripe age of twenty-five) when I decided to stop pursuing theatre the way I had previously. By this point I had created three solo shows and directed a play I wrote, but when I moved to the Bay Area something changed.

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