Thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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"I believe pursuing a career in the Arts is an act of rebellion; a rebellion against fear, imposed social norms, disappointing family or other people expectations or financial uncertainty."
I think the fact that I’m a trans person who has played cis [short for cisgender, or not transgender] characters invalidates a lot of biases that have kept trans people from being cast. Just like some people believe that gay or lesbian actors can’t play straight actors, there is a similar bias that trans people can’t play cis.
A study of “Fair Working Conditions in the Performing Arts and Music?” was published recently. Maximilian Norz of the artists’ initiative called “art but fair” in collaboration with the Hans Böckler Foundation and the Cultural Policy Association (of Germany) has researched working conditions for creative artists in the German speaking countries of Europe. The answers provided in the questionnaire show that artists have no choice but to accept certain bad conditions in their work, claims the joint press release of the Hans Böckler Foundation and “art but fair”. 79% of those asked regard their...
Data suggest that some types of cultural organizations are perceived as more welcoming than others. Here’s how we could do better.
Article d'ANNICK BUREAUD, spécialiste du Bio Art, dans le prochain MCD : " La France ne dispose pas, ou pas encore, d’un lieu emblématique arts-sciences, mais, comme partout, les initiatives fleurissent : du soutien à la création, à la monstration, en passant par la formation et la recherche, durables ou éphémères, portées par des institutions de taille et de nature diverses, initiées par toutes sortes de gens (artistes, scientifiques, acteurs culturels), parfois relabellisant simplement du bon vieil art numérique ou flirtant avec l’ingénierie. En bref, l’art-science devient tendance. Je...
Only ten percent of art school graduates make a living from their artwork. Why should this be such a pipe dream? Artists should stop trying to win the game, and start trying to change the game.
"Many organisations will have a subjective view of most of their audiences. To highlight this, I’m going to consider what I might look like to some of the organisations I’ve visited in the past year. I may only be one person, but you’ll see I look very different to the organisations I chose to visit."
How should we understand the difference that arts and culture makes to individuals and to society? The case is too often presented in terms of benefits that are thought to be important to the government of the day while neglecting some of the more fundamental benefits that matter to us all. Catch up with the podcast below:
The Hungarian government regards all autonomous organizations as a threat and is attempting to bring them under its own influence, or make their operations impossible.
How can there be an arts industry when the artist has no guaranteed income?
written by David Pleger One of the most straightforward responses to the issue of the arts, its relation to the marketplace and public funding was an initiative of the Culture Secretary of Rio de Janeiro who, in 2012, split the arts budget down the middle. One half was apportioned to the commercial sector as ‘investment’, the other to the not-for-profit sector as ‘a grant’ (without any requirements to justify its receipt). This approach seemed to balance the contesting arguments around arts funding – one that recognises art as a public good and the other that frames it as a commodity in the...

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