Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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Working towards raising awareness of the barriers that disabled artists and audiences continue to face when accessing Europe’s cultural institutions, this report heralds a clear call to policymakers and funders to seriously reduce the cultural exclusion of disabled people.
This Joint Research Centre report on COVID-19 and cultural and creative sectors identifies highly vulnerable cultural jobs and creative cities.
This publication sheds some light on the different IETM events and publications which brought attention to the IDEA topic, and gives voice to six IETM members who each in their unique way describe their stance on inclusion.
The fourth episode of the series recaps the main objectives of the Rewiring project and introduces the results of the large online brainstorm session held on 19 May.
David Pledger argues that a UBI requires a leap of imagination for Australian artists, out of the tactics of servitude and survival and into the heart of a strategy that can deliver a vision for all.
Joris Janssens gives an update on facilitating large scale remote events after working recent workshops with IETM and the Leuven arts field.
Anastasia Patlay talks about documentary theatre with Moscow-based company Teatr.doc.
Israel Aloni argues that the lack of governmental support for artists has pushed them to pursue activism but contends that art ought to remain independent of the civil-political sphere.
This fourth episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and the promising aspects of our current practices.
Ragnhild Freng Dale explores activism in the performing arts and the opportunities this type of theatre opens while looking into different examples of political activism in the arts, with a focus on movements in Northern Norway.

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