Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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The new European Parliament has taken its shape, and David-Maria Sassoli was elected as the Parliament President. Mr Sassoli is a member of the Group of the Progressive Alliance of Socialists and Democrats and of Partito Democratico (Italy).
©ArtReach
The EU’s Creative Europe programme made grants worth nearly €3.1 million to 11 UK-led applications this year, even though these projects would be thrown into disarray in the event of a no-deal Brexit.
A follow-up of our mapping " Creation and Displacement. ", this publication goes back to some of the projects engaging creatively with displacement.
This 37-page publication, written by Toni González-Escena Internacional, gathers all the necessary information so that organizations and artists of the performing arts and music can answer the key questions: what are we? what do we do? why do we do it? how do we do it? what we offer? and what is our trajectory and achievements? It also proposes techniques for these artists and organizations to write their own narrative and from it extract communication messages, slogans and keywords necessary for web pages and other communication supports. Furthermore, it contains multiple real-life examples...
Theatre is an art form that seeks to reflect and change society. As a Seattle-based dramaturg who identifies as a disabled artist, I recognize a glaring need for more disabled theatremakers in the industry—to enrich the theatrical landscape with diverse perspectives, challenge the norms, and encourage new ways of thinking.
The cultural democracy notion stemmed from the belief that many cultural traditions coexist and none should dominate over the others as the “official” or “high” culture. Another premise of cultural democracy is that everyone should be free to participate in cultural life.
In this paper co-signed by Circostrada, EDN, ETC and In-situ, we call on the European Institutions and the Member States to acknowledge the inherent power of the performing arts.
There is constant criticism of bodies who fund art. Artists often feel that they are speaking a different language to funders. This IETM Hull report features some concrete ideas on how funding systems could be better aligned with artists' needs.
This IETM Hull report highlights some voices reinforcing the urge to open up the art world for those who were not privileged to be part of it and to foster everyday creativity.
This IETM Hull report comments on what we can learn from situations of disagreement, what language to use when speaking on topics of diversity and how to acknowledge our own privileged position.

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