Développement des publics

Valeurs de la culture

Value of Arts

Worldwide

07/07/2020

Disabled artists in the mainstream: a new cultural agenda for Europe

Ben Evans

Working towards raising awareness of the barriers that disabled artists and audiences continue to face when accessing Europe’s cultural institutions, this report heralds a clear call to policymakers and funders to seriously reduce the cultural exclusion of disabled people.

18/05/2020

The Performing Artist's Audience Workbook

Lisa Baxter

The Performing Artist’s Audience Workbook guides artists into deeper levels of understanding and consideration around the audience experience of their work.

26/02/2020

Please turn off your cell phone

Nina Gojic

The main focus of the IETM Rijeka working session Please turn off your cell phone was the issue of attracting new audiences into what are considered as traditional performing arts venues and formats. How do we reach out to potential new audiences that do not identify as regular theatregoers? This report summarises the discussions held on who gets to participate and who remains excluded, and how this occurs when traditional audience behaviours are required.

04/12/2019

IETM Rijeka Talk of the Day: Cultural polis and the haunting spirit of the non-audience with Goran Tomka

Goran Tomka

The far ones, invisibles, uncountables, the multitude - the ones who do not take part. It is not audiences, but their absent relatives, the ones who could not be understood, involved or included who are presenting the biggest disruption in the orderly polis of our culture.

05/11/2019

IETM Rijeka Talk of the Day: For democratic cultural policies with Dea Vidović

Dea VidoviĆ

Cultural development is inherently linked with the qualification of so-called artistic excellence and artistic autonomy. At the same time, cultural participation is an inseparable part of cultural democracy. Thus, enhanced cultural participation without compromising the arts represents one of the most important challenges for democratic cultural policy.

05/11/2019

IETM Rijeka Opening keynote speech: Anti-production with Goran Sergej Pristas

Goran Sergej PristaŠ

Performing arts practices of today survive in a peculiar ecology thanks to the role given to various cultural institutions, whose mission is no longer to produce art but to reproduce a consumerist relation to work in art, whereby the artists grow less and less present through their artworks and more and more through their labour.

Durabilité

Sustainability

05/11/2019

Motivation trajectory of attending performing arts: the role of knowledge

Zakia Adam-obaidalahe

This study concerns the attendance motivations for cultural services based on the audience’s level of knowledge. The purpose of this paper is to define the role played by general knowledge (e.g. cultural education) and specific knowledge (e.g. communication around a cultural product) in the attendance motivation trajectory of a cultural service.

18/10/2019

All we need is audience development?

Goran Tomka

Goran Tomka explores the definition of audience development from different angles, explains the correlation between spectatorship and citizenship, and studies the phenomenon of an implied or implicit audience.

14/10/2019

Cultural participation policies: A poverty of ambitions

David STEVENSON

Dr David Stevenson talks about audience diversification, confronts the dominant hierarchy of cultural activities, and looks to create space for valuing everyone's chosen cultural experiences the same way.