Développement des publics

Les artistes donnent un sens aux œuvres d’art, mais le public leur donne la vie – ou vice versa ?

Peu importe pour qui nous créons (ou nous pensons créer) ¬ pour nous-mêmes ou pour eux ¬ sans un public, nous ne pouvons ni prouver la valeur intrinsèque de nos pratiques, ni gagner notre croûte.

Comment pouvons-nous nous assurer que notre société qui change si rapidement n’arrêtera pas de contribuer aux arts ? Comment établir un lien mutuellement enrichissant entre les artistes et leur public ? S’agit-il de relations authentiques ou de stratégies marketing ¬ ou les deux ?

Partager

The cultural democracy notion stemmed from the belief that many cultural traditions coexist and none should dominate over the others as the “official” or “high” culture. Another premise of cultural democracy is that everyone should be free to participate in cultural life.
This IETM Hull report highlights some voices reinforcing the urge to open up the art world for those who were not privileged to be part of it and to foster everyday creativity.
Goran Tomka looks at how arts and culture organizations can best engage with their communities.
Jamie Potter from Middle Child Theatre discusses how their New Critics' Programme is helping grow and diversify theatre criticism in the UK.
Nan van Houte talks about the importance of creative citizens and expresses a desire for funding bodies to better support cultural democracy.
Nan van Houte parle de l'importance des citoyens créatifs et exprime son désir que les organismes de financement soutiennent davantage la démocratie culturelle.
This is a book about participatory art and its more radical predecessor, community art. It is written from a perspective of engagement.
Lyn Gardner looks at how several British theatre companies are redefining their mission and expanding in ways to be of greater benefit to their communities.
Lyn Gardner examine comment plusieurs compagnies de théâtre britanniques redéfinissent leur mission et se développent à dessein de mieux servir leurs communautés.
Cultural institutions and organisations across Europe have enacted many forms of engagement, from co-creation processes (such as community art, immersive theatre, site-specific approaches) to actual forms of co-programming. In this scenario, the notion of active spectatorship introduces a new perspective.

Pages

Already a member?

Identifiez-vous to post your own content or join the discussion.

Ou pour nous rejoindre.