Tous thèmes

Les « thèmes » sont un flux de ressources générées ou créés par le personnel de l’IETM et par nos membres. Les sujets mis en avant nous semblent actuellement essentiels pour le secteur des arts du spectacle : la relation avec le public, les politiques culturelles de l'UE, la diversité et l’intégration, la durabilité du secteur, la valeur des arts dans la société, et les divers paradigmes, défis et aspirations qui sont vécus aux quatre coins du monde.

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Theatre is an art form that seeks to reflect and change society. As a Seattle-based dramaturg who identifies as a disabled artist, I recognize a glaring need for more disabled theatremakers in the industry—to enrich the theatrical landscape with diverse perspectives, challenge the norms, and encourage new ways of thinking.
The cultural democracy notion stemmed from the belief that many cultural traditions coexist and none should dominate over the others as the “official” or “high” culture. Another premise of cultural democracy is that everyone should be free to participate in cultural life.
In this paper co-signed by Circostrada, EDN, ETC and In-situ, we call on the European Institutions and the Member States to acknowledge the inherent power of the performing arts.
There is constant criticism of bodies who fund art. Artists often feel that they are speaking a different language to funders. This IETM Hull report features some concrete ideas on how funding systems could be better aligned with artists' needs.
This IETM Hull report highlights some voices reinforcing the urge to open up the art world for those who were not privileged to be part of it and to foster everyday creativity.
This IETM Hull report comments on what we can learn from situations of disagreement, what language to use when speaking on topics of diversity and how to acknowledge our own privileged position.
Carl(os) Roa offers thoughts on how organizations can create healthier workspaces, weaving in ideas from artists at Philadelphia Young Playwrights and Applied Mechanics.
This research report is written as part of a four-year collaboration project Creative Lenses. It highlights research findings on the use of business model concept in arts and cultural organisations. It also sheds light on the dynamics of business model change in the sector and the role of institutional logic in these processes.
Projecte Ingenu is an independent theatre company from Catalonia, Spain. The company’s vision resides in the idea of “slow theatre”.
Kaapeli is a company that runs two cultural centres based in former factory buildings in Helsinki.

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