Modèles durables

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

Ioana TAMAS
When addressing the status of artists in Romania, the general conversation tends to be about the low income and inadequate social services for those working in the arts. The creative ecosystem is viewed as unpaired, and therefore worthy of a distinct status within society.
Elena DI FEDERICO
When we talk about equity, it is often about tangible resources: Income, funding, food, housing, access to green space, etc. Rarely do we recognize that time is just as critical a resource, and that it is also inequitably distributed.
Theodor-Cristia...
IETM gets ready to host its Plenary Meeting in Bucharest, Romania, with a particular focus on the current position of the artist in contemporary societies, as well as on the financial and social conditions of pursuing a career in the arts. This series of articles reveals what is to be an artist in today's Romania.
Constantina Pap...
The literature of cultural economics generally finds that an artistic education has no significant impact on artists’ income and careers in the arts.
fbittencourt
Unpaid or ‘free’ labour is an important element of how precarity has been theorized. It is also an issue that is often seen as endemic to cultural and creative work, rightly attracting a range of criticism.
The plaza in front of the one of the festival theatres. Nitra, Slovakia.
jamiegahlon
While I grew up during the fall of the Soviet Union, it’s important to acknowledge that Western anti-communist propaganda and the lingering effects of the Cold War kept me distanced from any realistic notion of life and culture in Eastern Europe.
Elenq
There are bleak realities behind the façade of some performing and visual artist’s successful international careers: the manic, frenzied life, the insecurity and fear of hyper-mobility and residency- or studio-hopping. What are some of the strategies to have more sustainability in artists’ working conditions? Band-aid solutions might be short-sighted. It is time for a radical re-imagining of the system.
Elenq
Culture has the power to make cities more prosperous, safer and sustainable, according to UNESCO's Global Report on Culture for Sustainable Urban Development ‘Culture: Urban Future’, launched this year in Quito (Ecuador) on the occasion of the Third United Nations Conference on Housing and Sustainable Development (Habitat III). The Report recommends building on culture as a sustainable resource for inclusive economic and social development for cities.
fbittencourt
What do we value in shared processes? How can we ensure captivating collaborations? What do we have to gain from rejecting autonomous practice? From the outset, this session at IETM Valencia raised questions surrounding our individual perspectives and desires for international collaboration.
fbittencourt
This session at IETM Valencia featured two futuristic, provocative and controversial concepts, which headed off from the idea that the status quo needs a radical change and it needs it now.

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