Inclusion

Nous sommes convaincus que c’est dans la nature des arts de brandir un miroir critique de la société, et de briser les barrières  entre ses différents groupes. Cependant, notre secteur reflète-t-il fidèlement les communautés dans lesquelles nous vivons ?

Ce débat se penche sur l'urgence d'ouvrir les arts à l'ensemble de la société – à toutes les classes, les ethnicités, les capacités physiques de chacun, et à tous les milieux qui la constituent. 

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The manual has been compiled in the context of the international project Un-Label. The wide variety of contributions from different perspectives present a comprehensive overview of the two-year model programme.
Contact has avoided having to ask whether its work is diverse enough by putting diversity at the root of decision-making. Matt Fenton and Reece Williams share Contact’s story.
Inquiry carried out by party found stage and screen increasingly dominated by people from well-off backgrounds
MAP, the Media Accessibility Platform, is a unified atlas charting the worldwide landscape of research, policies, training and practices in this field. MAP aims to make media accessible to all, regardless of sensorial and linguistic barriers.
Something exciting is happening across Europe; organisations are opening their eyes to the aesthetic challenge often posed by disabled artists. Joe Turnbull, Assisant Editor of Disability Arts Online speaks to Ben Evans, Head of Arts and Disability, EU Region at the British Council to discuss how sharing expertise can capitalise on this momentum.
photo of the seminar Ahead of the Curve in Berlin, May 2017
Twelve years in but ahead of the curve – is the 2005 UNESCO Convention still the right tool for the promotion and protection of the diversity of cultural expressions? Has it ever been? What do the marginalised voices need to do in order to influence global debates and policy making and how do we tackle the many crises of our times?
Through the analysis of the CDCE’s transfer from international level to Mercosur and ASEAN regions, my article seeks to explore four key questions : why do actors engage in norm transfer ? Who are the key actors involved in the norm transfer process ? What is transferred and why ? What restricts or facilitates the norm transfer process ?
Il y a cinquante ans, le général de Gaulle présidait à la création du ministère des affaires culturelles. La naissance de cette institution a précipité le déclin d’un autre projet, à présent méconnu : l’éducation politique des jeunes adultes, conçue dans l’immédiat après-guerre comme un outil d’émancipation humaine. Pour ses initiateurs, culture devait rimer avec égalité et universalité.
© Jens Bjerregaard
This research seeks to develop greater understanding of the impacts of globalization, digitalization, and (im)migration on the work of arts managers and arts management researchers. Different from studies that focus specifically on those who work exclusively in international contexts, this paper aims to present current research based on an international empirical study of arts managers who do not necessarily cross borders for their work and who would in most cases not even consider their work international as such.
For thousands of years in the Western theatrical tradition, the atypical body has been used to scare, warn, explain, and explore human frailty, mortality, and the human condition. Disability has been a metaphor for the non-disabled to explore their fears and embedded societal values.

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