Inclusion

Nous sommes convaincus que c’est dans la nature des arts de brandir un miroir critique de la société, et de briser les barrières  entre ses différents groupes. Cependant, notre secteur reflète-t-il fidèlement les communautés dans lesquelles nous vivons ?

Ce débat se penche sur l'urgence d'ouvrir les arts à l'ensemble de la société – à toutes les classes, les ethnicités, les capacités physiques de chacun, et à tous les milieux qui la constituent. 

mariavlachou
Maria Vlachou, directrice exécutive de Acesso Cultura | Access Culture, une association à but non lucratif qui vise à promouvoir l'accès à la participation culturelle au Portugal, écrit à propos du travail réalisé dans le pays afin d'abattre les obstacles structurels et géographiques qui s'opposent aux arts et à la culture.
mariavlachou
Maria Vlachou, Executive Director of Acesso Cultura | Access Culture, a not-for-profit that promotes access to cultural participation in Portugal, writes about work being done in the country to break down structural and geographical barriers to arts and culture.
fbittencourt
Elizabeth Horn reflects on how in the aftermath of #MeToo, it is more important than ever to teach the next generation of theatremakers ideas of consent, respect, and how to advocate for themselves as artists.
fbittencourt
Chantal Bilodeau kicks off this week’s series on Theatre in the Age of Climate Change by suggesting that women in the arts may be our planet’s best bet for survival.
Jo VERRENT
This case study will examine Unlimited’s work supporting the British Council to take small parties of disabled artists and producers to IETM, both to give these creatives increased networking opportunities and to open up discussion about diversity within the network.
Elenq
Sexism goes deeper than sexual intimidation. Take the dance world. From recurring Lolita-fantasies on stage to auditioning naked and backstage power abuse; female dancers talk about the repercussions of a professional reality that celebrates unclear borders. ‘The only difference from sex workers is that we hide behind the name of art.’
Dawn Walton
Dawn Walton, artistic director of Eclipse, the black theatre touring company, was bored of only ever coming across three black stories in British theatres - slavery stories, immigrant stories, and gang stories.She knew there was a far greater range of stories out there and she wanted to tell them.
Elena DI FEDERICO
Le livre présente la mission du Collège de la diversité, le travail effectué pendant une année par ses membres et les recommandations issues de leur réflexion. Il valorise les actions menées par le ministère de la Culture et de la Communication en faveur de la diversité dans le monde culturel.
Elenq
Through the professional experiences of five different arts professionals, from different continents, states, fields and practices, the IETM Brussels session "Relocalising Artistic Practices" tried to seek new opportunities to rethink the local outside the populist nationalistic paradigm and to reinvent the international without the unification of the globalised culture.
fbittencourt
I’ve recently come through a number of “minority artist development programs” at a variety of major (read: primarily white and able-bodied) theatre venues and cultural institutions, and have found them to be consistently wanting in a few ways.

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