Développement des publics

Les artistes donnent un sens aux œuvres d’art, mais le public leur donne la vie – ou vice versa ?

Peu importe pour qui nous créons (ou nous pensons créer) ¬ pour nous-mêmes ou pour eux ¬ sans un public, nous ne pouvons ni prouver la valeur intrinsèque de nos pratiques, ni gagner notre croûte.

Comment pouvons-nous nous assurer que notre société qui change si rapidement n’arrêtera pas de contribuer aux arts ? Comment établir un lien mutuellement enrichissant entre les artistes et leur public ? S’agit-il de relations authentiques ou de stratégies marketing ¬ ou les deux ?

Elenq
Towards cultural democracy: promoting cultural capabilities for everyone is the final report of King’s fourth Cultural Enquiry. On the basis of a 15-month research project, it presents a timely and distinctive vision of how to build a cultural life for the UK that is valuable for everyone, and made by all.
MariaZ
This publication will help you better understand the peculiar utilization of the different social media available nowadays to increase the audience of your organisation.
fbittencourt
Upon entering Frieze New York last May, I ran into a colleague with his two small children. As we crossed the threshold of the bustling fair tent, the kids sprang into action, making a beeline for a red Carsten Höller octopus. They promptly plopped down beside it and began a discussion—“What is it made of?” and “Why is it red?” were among preliminary questions.
fbittencourt
The co-founder of the nonprofit Center for Artistic Activism explains why his company has officially de-friended Facebook.
‘The Believers are but Brothers’ is on at Bush Theatre
Elenq
“I’m interested in fucking up the dominant and racist narratives around communities of colour.” Bradford-born writer, theatre-maker and director Javaad Alipoor certainly does not mince his words. His new play, The Believers Are But Brothers opened at the Edinburgh Fringe Festival and is transferring for a run at the Bush Theatre to kick off its 2018 season.
Elenq
This website is the result of the EU project 360 Building Strategies for Communication in Contemporary Dance. It was created to assist you as a dance professional to develop your thinking, skills and practices in the area of communication with all key stakeholders in your career.
A gathering at Los Angeles's Kirk Douglas Theatre to dicuss the findings of the Triple Play study of new-play audiences. (Photo by Victoria Bailey)
Elenq
In the middle part of the last century, the nation’s big advertising firms started hiring behavioral experts with Ph.D.s in psychology under the assumption that advertising might be more effective if the firms knew something about what made consumers tick. While they may have been looking for concrete answers, what they found instead was that buyer behavior changes as fast as the tides.
sylensi
Sylvia Botella interroge le sociologue Éric Fassin sur son point de vue sur le lien entre la sociologie, les arts du spectacle et la politique à l'ère du populisme.
sylensi
Sylvia Botella interviews sociologist Éric Fassin about his views on the connection between sociology, the performing arts, and politics in the age of populism.
Matteo Lanfranchi
This presentation by Stephen Hadley (Queen’s University, Belfast) at the Audience Development è innovazione sociale conference analyses the relationship of audience development and publicly subsidised art to discourses of democracy in European cultural policy.

Pages