À travers le monde

Alors que dans certains pays d’Europe les arts sont pris au piège des réalités du marché et opprimés par des exigences telles que le surplus économiques, la liberté créative est engloutie par les agendas politiques et étouffée par la présence des états dans les arts.

Libéralisme, liberté, financement public, ingérence étatique ; ces notions - que nous avons tous en tête de temps en temps - sont-elles perçues de la même façon dans des contextes historiques, économiques et sociaux différents ? Cette section nous donne un aperçu des divers paradigmes, défis et aspirations qui prévalent aux quatre coins du monde.

Elenq
While during the communist period, artists in Eastern Europe may have been restricted by ideology, today, it is the market that in fact constricts them, as they struggle to eke out an existence as creative labourers. While by no means free, performance and participatory art is perhaps attractive to artists seeking to address these issues because if they have to rely only on their own bodies, they usually find that they can.
Elena DI FEDERICO
The Canada Council for the Arts is getting a new funding model in April of 2017. Funding will be tied to diversity - in the artistic and technical crew, administration, audience and boards...
Libertad Titiriteros
tonigonzalezbcn
Two puppeteers in Spain have reportedly been jailed, charged with “glorifying terrorism” during a children’s show in Madrid. Alfonso Lazaro de la Fuente and Raul Garcia Perez were arrested after staging a show featuring the hanging of an effigy of a judge, the stabbing of a nun with a crucifix and several police beatings, according to reports. Sign the petition that calls for the immediate release of the two Spanish puppeteers (only available in Spanish).
Elena DI FEDERICO
Ai closed his exhibition Ruptures at Denmark’s Faurschou Foundation Copenhagen, in protest at a new law that allows Danish authorities to seize valuables from asylum seekers. “The way I can protest is that I can withdraw my works from that country. It is very simple, very symbolic – I cannot co-exist, I cannot stand in front of these people, and see these policies. It is a personal act, very simple; an artist trying not just to watch events but to act, and I made this decision spontaneously.”
Geoliane A.
“There was a group of men inside, some in uniform and others in plainclothes. They started shouting at me and asking me what my religion was,” he said. “Then they started asking about comics. I was confused.”
IETM
German theatre Schauspielhaus Bochum invited the public to pack into a refrigerated truck to give them a glimpse into the hardships experienced by people trying to reach Europe from war zones.
IETM
This four-part series documents the experiences of a young, Fulbright fellow, avidly exploring theater and life in Bucharest, Romania.
IETM
Sustainability in the dance field is composed of four interconnected dimensions: cultural(including artistic), ecological, economic and social. It is therefore only natural that in orderto strengthen the sustainability of the dance field it is necessary to pay attention to all fourkey aspects. The keðja Think Tank on Sustainability calls for a holistic approach in dancesector development, taking into account the entire value chain and the life cycle of artisticwork and careers. The recommendations are divided into five key areas with the followingaims: (1) to build bridges between the dance...

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