Valeurs de la culture

Le monde d’aujourd’hui ne pense qu’à mesurer l’impact de chaque activité publique (subventionnée). Votre projet présuppose-t-il qu’il faille dépenser de l’argent public ? Si oui, soyez prêt à justifier sa valeur avec des nombres et des faits concrets à l’appui.

Même si de nombreuses études ont révélé que la culture influençait fortement la création d’emplois et la croissance économique, il est difficile de quantifier l’impact intangible des arts.

 

Elenq
Cultural institutions across Europe should create new museums and exhibitions dedicated to migration, as arts and culture are “uniquely placed” to empower refugees, a major new European Union (EU) report has concluded. It also advises policy makers to prioritise funding for arts projects that integrate migrants, and cultural bodies to make their recruitment practices more open to people from different backgrounds. “Culture is an opportunity to create links, to bring newcomers together with native populations and longer-term migrants from different backgrounds,” the report, which is dedicated...
Elenq
IETM Bucharest session "How to save Europe?" addressed the gloomy reality Europe is living through: democratic deficit, institutional crisis, increasingly predominant populist and nationalist rhetoric, social disintegration. A group of around 50 participants coming from very diverse realities attempted to identify the ways in which culture and the arts can help overcoming the depression Europe has been driven to.
https://theconversation.com/whats-the-point-of-art-77118?utm_medium=email&utm_campaign=Latest%20from%20The%20Conversation%20for%20May%2018%202017%20-%2074075685&utm_content=Latest%20from%20The%20Conversation%20for%20May%2018%202017%20-%2074075685+CID_96103f3d63d8074a2c0d09edb5ea3f16&utm_source=campaign_monitor_uk&utm_term=Whats%20the%20point%20of%20art
Elenq
One of the great paradoxes of human endeavour is why so much time and effort is spent on creating things and indulging in behaviour with no obvious survival value – behaviour otherwise known as art.
Counter-Commencement Debtor’s Ceremony at the Whitney Museum.
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Capitalist crisis does not begin within art, but art can reflect and amplify its effects, to positive and negative ends. Gregory Sholette, author of the new book Delirium and Resistance: Activist Art and the Crisis of Capitalism, examines the disjunct between declarations of art’s virtue and high moralism, with the political economy of the cultural sector, whilst outlining his term ‘Bare Art’: a denuding of art’s entanglement with capitalism.
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Cultural operators, whether institutions, businesses, NGOs are right to make the case that cultural investment is good for foreign relations and ultimately to achieve EU goals (including in economic and trade fields). They now have to build the case justifying more culture in EU external relations’ policy.
Ai Weiwei and remnants of an installation for the Venice Biennale in 2013. Credit Gilles Sabrie for The New York Times
Elenq
We need the arts because they make us full human beings. But we also need the arts as a protective factor against authoritarianism. In saving the arts, we save ourselves from a society where creative production is permissible only insofar as it serves the instruments of power. When the canary in the coal mine goes silent, we should be very afraid — not only because its song was so beautiful, but also because it was the only sign that we still had a chance to see daylight again.
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In the two years since the beginning of the ‘Arab Spring,’ North African theatre practitioners have successfully invested the stage to open new spaces of public dialogue and debate, using the Internet and new media (Facebook, Twitter, YouTube) to further promote their work and to galvanize the youth.
fbittencourt
Last week, we learned that the White House’s proposed budget would zero out funding for the National Endowment for the Arts and the National Endowment for the Humanities, effectively shuttering these vital national treasures.
Rami Mohsen via Flickr
Elenq
In a moment of existential crisis for the European Union, culture might seem irrelevant. Yet, for a meaningful refounding of the European project, culture and values need to be at the heart of the debates in Europe.
Elenq
Who Are We? This is the question that London’s Tate is asking at its free six day cross-platform event spanning the visual arts, film, photography, design, architecture, the spoken and written word and live art.

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