Valeurs de la culture

Le monde d’aujourd’hui ne pense qu’à mesurer l’impact de chaque activité publique (subventionnée). Votre projet présuppose-t-il qu’il faille dépenser de l’argent public ? Si oui, soyez prêt à justifier sa valeur avec des nombres et des faits concrets à l’appui.

Même si de nombreuses études ont révélé que la culture influençait fortement la création d’emplois et la croissance économique, il est difficile de quantifier l’impact intangible des arts.

 

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Sylvia Botella interroge l'historien de théâtre Olivier Neveux sur ses réflexions sur le populisme, la démocratisation de l'accès à la culture et la responsabilité politique de l'artiste.
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Sylvia Botella interviews Belgium-based theatre historian Olivier Neveux about his thoughts on populism, decomocratizing access to culture, and the political responsibility of the artist.
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Cultural work with refugees has a long history. It is a contentious area. Instrumental approaches to cultural work with refugees raise significant issues. This briefing outlines the contentions, provides a theoretical basis for the work, gives leading examples of cultural work with refugees, including work that promotes intercultural understanding and work that promotes fear. It outlines key findings and recommendations, which have a substantial focus on ethical engagement, aesthetic importance and societal wellbeing.
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This briefing paper explores cultural work with refugees in Europe, analysing the current funding programmes of the European Union. The paper particularly focuses on the Erasmus+, Creative Europe and Europe for Citizens programmes. The findings are complemented by case studies and feedback from EU-funded projects under each programme. The paper provides recommendations for the future EU programme generation.
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In the third issue of Polish Theatre Journal, we examine institutional practices in Polish theatre in the context of political and social changes. We analyse conditions for freedom of artistic expression and of mechanisms of censorship; we observe significant conflicts and struggles in theatre life, and scrutinize the entanglement of economic, political and aesthetic determinants.
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Julian Meyrick, the Strategic Professor of Creative Arts at Flinders University, argues that our addiction to measuring things has replaced evaluating things – including creativity. So how do you measure cultural activities whose purpose, meaning and hope are ends in themselves?
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The last few years have seen a dramatic growth of interest in international cultural relations (ICR) and cultural diplomacy (CD) at the EU level. This policy paper identifies some of the key opportunities and constraints in the advancement of ICR and CD in the interactive relationship between culture and foreign policy.
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At a recent ArtsFund luncheon, Keynote Steven J. Tepper highlighted the science and statistics behind the role of artistic minds in shaping our future. Dr. Tepper shared data showing that Nobel Prize winners are four times more likely to be musicians, 17 times more likely to be visual artists, and 22 times more likely to be performers than scientists who did not win the Nobel Prize.
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Dance Info Finland's campaign leaps over the border of two million people reached. The next step is to encourage people and businesses to donate dance tuitions to people who would not otherwise have a chance to enjoy the benefits of dance.
roshonil (CC BY-NC)
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Steven Hadley shares his concerns about the shift towards hyperinstrumentalisation in arts policy, which is giving precedence to wellbeing, educational and economic outcomes over cultural value.

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