Worldwide

While in some parts of Europe the arts are trapped by market reality and squeezed by restless demands for economic surplus, in others, creative freedom is guzzled by political agendas and suffocated by the presence of the state in the arts.

Liberalism, freedom, public support, state interference; are these notions - being on our tongue every now and then - perceived in the same way in different historical, economic and social contexts?  This section gives us an insight into the various paradigms, challenges and aspirations prevailing in different parts of the globe.

Elena DI FEDERICO
The National Endowment for the Arts (NEA) in the United States, in partnership with the National Arts and Disability Center (NADC) and the U.S. Department of Labor’s Office of Disability Employment Policy (ODEP), held an online conversation with three hundred and ninety registrants representing artists, arts administrators, arts organizations, arts educators, arts employers, and disability organizations about how to increase the career preparation and employment of people with disabilities in the arts. This report summarises the main findings.
fbittencourt
What will the Trump administration mean for arts, culture and entertainment? How bleak — or not — is the outlook for everything? Will Congress, solidly under total Republican control, actually follow through on their decades-long threat to defund the National Endowment for the Arts?
fbittencourt
Canada has welcomed more than 35,000 Syrians since last year, in stark contrast to other countries that are sealing their borders in response to the refugee crisis. To help them integrate, the country is turning to art—a critical part of Syria’s history and culture.
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Art in public spaces in Lebanon: A research project and tool guide on the legal and administrative challenges and opportunities.
Platform: East European Performing Arts Companion
MartaSz
Platform: East European Performing Arts Companion – was written by thirty seven authors from twelve countries and is the effect of years of cooperation between theatre theorists, critics and historians from Central and Eastern European Countries.
supporter of Donald Trump - photo credit: AP/Matt Rourke (source: Salon.com)
Elena DI FEDERICO
At one point during the presidential campaign, Hillary Clinton suggested that half of Donald Trump’s supporters belonged in “a basket of deplorables” which she described as consisting of “the racist, sexist, homophobic, xenophobic, Islamaphobic – you name it.” Whether such “deplorables” are really half in the Trump camp or not, they have indeed reached a critical mass across the world - and many of the features that the “deplorables” share are “cultural”.
picture: Elena Di Federico, IETM
Elena DI FEDERICO
Cultural leadership and crossroads: with such fascinating words in mind I landed in sunny Malta, hoping to learn a lot and to get some refreshing views from the truly international group of speakers in the programme of the 7th World Summit on Arts and Culture 2016 in Malta...
tonigonzalezbcn
Things started going really bad in Spain between 2008 and 2011, with the beginning of cuts dictated by the European Commission, the Central European Bank and the International Monetary Fund - the dreaded Troika.
jesus.carnerero
As the IETM Satellite Meeting in Beruit is underway, Raphael Khouri's story about being unable to tell people about a queer Arab play she directed is incredibly timely and important.– Geoliane Arab.
jesus.carnerero
Wael Qadour, playwright and threatre director, not only asks the right questions, but dares to ask them at an unlikely time. While most people today defend artists’ absolute right to express themselves, Wael takes a step back and delivers a nuanced piece on the responsibility of artists and cultural professionals in building and voicing the discourse on freedom of expression.­­ – Geoliane Arab, series curator.

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