Sustainability

How to make a living as an artist? How to survive as an arts organisation?

As we continue struggle out of the crisis, we must give ourselves a chance; not for survival, but for success.  

To start with, let's reassess our professional strategies and business models. How do we use our potential and our resources? How do we contribute to the sustainability of the environment we work and live in? What does sustainability in the arts mean and how to achieve it? And what role can the arts play in that wider issue: helping to save the planet, the environment we live and work in?

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ODC Ensemble is an independent performing arts organisation from Athens with a strong sense of artistic integrity prioritising content over profit.
P60 is a well-established music venue in Amstelveen, a suburb of Amsterdam organizing concerts, club nights and other activities.
Patricia Pardo Company is a small performing arts company from Spain with strong political agenda and beliefs.
Truc Sphérique is a non-governmental cultural organisation from Žilina, Slovakia, that has long relied on value-driven economy prioritising autonomy of its staff over a structure.
Village Underground is an independent cultural venue based in East London, which, despite its long-running history of success, has been recently facing new challenges.
The following report summarises the major findings of the online survey on business model innovation in cultural centres and performing arts organisations.
Amsterdam-based company New Heroes develops and produces projects, that might include performances, podcasts, documentaries, exhibitions, etc.
Teple Misto is a Ukrainian cultural centre whose aim is to provide a meeting point for different stakeholders in the city.
Access All Areas is a London-based centre that makes urban, disruptive performance by learning disabled and autistic artists.
The following Creative Lenses report brings to light the story of AMBASADA, a cultural and resource centre from Romania.

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