Breaking the Fourth Wall: Proactive Audiences in the Performing Arts

Share

Cultural institutions and organisations across Europe have enacted many forms of engagement, from co-creation processes (such as community art, immersive theatre, site-specific approaches) to actual forms of co-programming. In this scenario, the notion of active spectatorship introduces a new perspective. Audiences, who are made of citizens, are not only involved in the artistic process, but act also as decision-makers who express their ideas and needs and can represent new social groups and values. Their decisions can influence and impact the general architecture of institutions and organisations

Do you want to be notified about our new reads? Subscribe here