Durabilité

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

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The study maps the different value chains for visual arts, performing arts, cultural heritage, artistic crafts, book publishing, music, film, TV and broadcasting as well as multimedia.
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Seattle Office of Arts & Culture has released a report exploring mechanisms for creating, activating, and preserving cultural spaces amid the city’s real estate boom.
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Our partners at the National Center for Arts Research (NCAR) put out a report recently on metrics by sector for arts organizations. Among the metrics they analyzed was response to marketing efforts.
Being an Artist Today; Gender, Mobility & Friendship
Harpreet Kaur
On 20-23 April I attended the IETM Plenary Meeting in Bucharest, Romania, a network of over 500 performing arts organisations and individual members working in the contemporary performing arts worldwide. The international network for contemporary performing arts hosts a meeting in a different city in Europe twice a year, advocating for the value of performing arts, commissioning publications and research, and facilitating communication and the distribution of information.
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The European Festivals Association (EFA) and Pearle*-Live Performance Europe have teamed up to improve knowledge on legal and managerial aspects on cross-border cooperation within the EFA RISE project.
Marie Le Sourd
The European Festivals Association (EFA) and Pearle*-Live Performance Europe have teamed up to improve knowledge on legal and managerial aspects on cross-border cooperation within the EFA RISE project, funded by the Creative Europe Programme from the European Union from 2014 until 2017.
Marie Le Sourd
One summer evening at Motorco in 2014, what seemed like a typical midlevel rock show had actually come about through exceptional efforts. The headlining act was Poor Rich Boy, a Pakistani ensemble on its first U.S. tour. The tour was made possible by Center Stage, a program funded through the State Department's Bureau of Educational and Cultural Affairs. It helps international artists untangle the web of financial and logistical barriers they must face to tour in the States.
Christoph
If you’re a creative or cultural organisation that works (or is looking to work) internationally, then applying for Creative Europe’s Cooperation Projects is probably something you’ve already given serious consideration to. If you haven’t, then you could be missing out on vital opportunities and funding.
Ioana TAMAS
This paper proposes that publicly funded arts and cultural organisations should aspire to, and be funded to, engage in Research and Experimental Development (R&D), particularly that which aims at innovation, that is, new social application
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Did you know that $3.3 billion of public money is dedicated to culture in Paris every year? Moscow and London are not too far behind, receiving $2.4 billion and $1.6 billion respectively.

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