Modèles durables

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

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Metrics-based approaches to understanding the value of culture imply homogeneity of artistic purpose, invite political manipulation and demand time, money and attention from cultural organisations without proven benefit.
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The mapping of the Cultural and Creative industry in Greece has been a top priority for the Ministry of Culture and Sports during 2006. The lack of a suitable tool, which would support strategy and decision-making aimed at planning support actions for the professionals of the Contemporary Culture and Creative Economy, has led to the need of recording their growth dimension, in accordance with international practices.
Elenq
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it?
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How may a legal framework be achieved for the fair status of the artist? What would be the spectrum of such a law? Who should be involved in the drafting of cultural policies? What models exist elsewhere and how do they relate to a reality on the field? This session at IETM Bucharest gave some insights into existing models and their relationship to very diverse realities in different parts of the world.
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Given the litany of distractions vying for people's attention nowadays, arts organizations need to do a better job at engaging everyone, "diverse communities" or otherwise. The engagement challenge spans demographics, and that's because the very definition of the arts experience is changing.
Harpreet Kaur
Culture is a powerful tool for change to educate, influence and empower individuals. Interconnections between culture and the change required to achieve the SDGs are my preoccupation, as a writer and cultural activist. Creativity, campaigning and climate change are connected.
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Our newest publication “Look, I’m priceless! Handbook on how to assess your artistic organisation” aims to guide art professionals through the key steps of evaluating their organisations, whether they have chosen to do it themselves or if a funder or decision-maker asks them to do so and provides them with pre-conceived tools.
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The study maps the different value chains for visual arts, performing arts, cultural heritage, artistic crafts, book publishing, music, film, TV and broadcasting as well as multimedia.
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Seattle Office of Arts & Culture has released a report exploring mechanisms for creating, activating, and preserving cultural spaces amid the city’s real estate boom.
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Our partners at the National Center for Arts Research (NCAR) put out a report recently on metrics by sector for arts organizations. Among the metrics they analyzed was response to marketing efforts.

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