Modèles durables

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

fbittencourt
You pay a certain amount of dollars each month for a Netflix account or a gym membership. You might not use it every day, but it’s there for you when you want it. Now, what if you could consume live theater in the same way?
Victor Mayot
La Fédération marocaine des troupes professionnelles de la chorégraphie s’insurge contre le retard des subventions destinées aux projets chorégraphiques et accordées par le ministère de la culture et de la communication. «Les résultats des subventions de la deuxième session de l’année 2017 lancées par le ministère n’ont pas encore été annoncés.
fbittencourt
The impact of digitisation - lowering communication costs and outreach - as well as the cultural shift of people wanting to connect more meaningfully with things they do, has made crowdfunding an increasingly popular method of fundraising and community building.
fbittencourt
In a conversation on “How Tech Companies Think About the Arts” at the 2017 Americans for the Arts Annual Convention in San Francisco, artists and arts organization had an opportunity to connect with philanthropic representatives from Silicon Valley companies to learn and exchange ideas on how to better engage one another.
fbittencourt
There’s a stock image of the urban cultural ideal: bustling streets filled with colorfully painted walls, galleries with their doors wide open, live music bubbling out from local venues. This is the kind of environment, with economic as well as artistic benefits, that city governments around the world are looking to foster.
fbittencourt
Independent producers work just as hard as independent artists; however, I feel there is a growing disconnect between independent artists and independent producers. Sometimes I believe people think that independent producers make more money than independent artists. I wonder if that's because of the word ‘producer’?
fbittencourt
How can cities continue to grow and attract investment while preserving their cultural infrastructure – and the vibrancy and diversity that make them unique? Our new ‘Making Space for Culture’ handbook for City Leaders explores how world cities across the globe are answering this question, from San Francisco to Shenzhen
photo of the seminar Ahead of the Curve in Berlin, May 2017
Elena DI FEDERICO
Twelve years in but ahead of the curve – is the 2005 UNESCO Convention still the right tool for the promotion and protection of the diversity of cultural expressions? Has it ever been? What do the marginalised voices need to do in order to influence global debates and policy making and how do we tackle the many crises of our times?
fbittencourt
Through the analysis of the CDCE’s transfer from international level to Mercosur and ASEAN regions, my article seeks to explore four key questions : why do actors engage in norm transfer ? Who are the key actors involved in the norm transfer process ? What is transferred and why ? What restricts or facilitates the norm transfer process ?
Sandra COUMANS
Sandra Coumans talks about how cultural organisations from Eastern Europe and the Balkans learn from each other on an international level.

Pages