Durabilité

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

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Culture has the power to make cities more prosperous, safer and sustainable, according to UNESCO's Global Report on Culture for Sustainable Urban Development ‘Culture: Urban Future’, launched this year in Quito (Ecuador) on the occasion of the Third United Nations Conference on Housing and Sustainable Development (Habitat III). The Report recommends building on culture as a sustainable resource for inclusive economic and social development for cities.
What do we value in shared processes? How can we ensure captivating collaborations? What do we have to gain from rejecting autonomous practice? From the outset, this session at IETM Valencia raised questions surrounding our individual perspectives and desires for international collaboration.
This session at IETM Valencia featured two futuristic, provocative and controversial concepts, which headed off from the idea that the status quo needs a radical change and it needs it now.
The session ‘Can the show go on?’ at IETM Valencia debated local cultural ‘ecosystems’ and the way festivals fit into these ecosystems. Are they catalysts of further artistic activity, do they play a role in attracting new audiences or do they rather occupy funding and creative territories that limit the perspectives of other cultural initiatives? Through concrete experiences in Berlin, Barcelona and Glasgow, the session challenged the audience in thinking what a 'perfect' cultural ecosystem should be, and what partnerships were needed to strengthen all actors, giving them the appropriate...
image from International Arts Manager
The last time you watched a show at the theatre, how much did you pay? Was it worth the price? Pay what you decide (PWYD) theatre turns the question on its head, empowering audiences to choose how much money they want to spend. However..
You must change your art! Heed this imperative! Let it resound through tiered theatres and flat-floored theatres. Let it echo through the corridors of broadcasting companies and teaching departments. Let it ring through parliaments and policy bureaus. Let it buzz on film sets, at festivals and in design studios. Let it reverberate on your type areas and music scores. You must change your art! This era requires it.
Why are there so many common misconceptions surrounding business models? José Rodríguez explains their real purpose and value in the arts.
blog.chemonics.com
Sustainable Development Goal (SDG) 5, “achieve gender equality and empower all women and girls,” isn’t a new addition in the realm of development goals. It follows on the heels of Millennium Development Goal (MDG) 3, which sought to “promote gender equality and empower women.”
La baisse des subventions publiques, la vision conservatrice du ministère de la Culture et le désir d'indépendance des artistes ont engendré une nouvelle garde d'acteurs culturels. Ils défendent un modèle basé sur l'entrepreneuriat, afin de faire vivre leur vision de la culture. Une démarche créatrice d'activités et d'emplois, poussée par la transition numérique, alors que la France cherche des nouveaux relais de croissance.
The creation and production of knowledge has been a monopole of industrialized economies. Their economic conditions are the guaranty to provide the better conditions to reach a privileged status. Generally, knowledge creation processes tend to have a predominant ethnocentric focus, in which so-called rich country or developed economy perspectives have prevailed. However, there are disciplinary subjects where the production of knowledge can be influenced not only by economic conditions but by cultural aspects as well. Arts management knowledge is a good example to support this proposition...

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