Durabilité

Comment gagner sa vie en étant artiste ?

Tout en continuant de nous battre pour sortir de la crise, nous devons nous donner la chance, non pas de survivre, mais de réussir.

Pour commencer, réévaluons nos stratégies professionnelles et les modèles correspondant à nos métiers. Comment utilisons-nous notre potentiel et nos ressources ? Que signifie le terme durabilité pour les arts, et comment l’atteindre ? Quel rôle les arts peuvent-ils jouer face à un problème de plus grande envergure : aider à sauver la planète, l’environnement dans lequel nous vivons et travaillons ?

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The fourth episode of the series recaps the main objectives of the Rewiring project and introduces the results of the large online brainstorm session held on 19 May.
Joris Janssens gives an update on facilitating large scale remote events after working recent workshops with IETM and the Leuven arts field.
Anastasia Patlay talks about documentary theatre with Moscow-based company Teatr.doc.
Israel Aloni argues that the lack of governmental support for artists has pushed them to pursue activism but contends that art ought to remain independent of the civil-political sphere.
This fourth episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and the promising aspects of our current practices.
Ragnhild Freng Dale explores activism in the performing arts and the opportunities this type of theatre opens while looking into different examples of political activism in the arts, with a focus on movements in Northern Norway.
This third episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and maps the concerns withen our sector.
The second episode of the series flashes back to past achievements of IETM since its misty origins in the early eighties, until now, and the conditions for the success.
In the face of the COVID-19 crisis, we call on the national governments to take measures to safeguard the long-term viability of the cultural and creative sectors.
Butterfly going through metamorphosis
Artists around the world are struggling to keep up with the financial hits that COVID-19 has brought. In Australia, only 1/37 th of the Australian Council for the Arts budget is being put towards a Resilience Fund. David Pledger, however, says this is not enough. The time is now to step up and reshape the arts funding landscape.

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