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Alors que dans certains pays d’Europe les arts sont pris au piège des réalités du marché et opprimés par des exigences telles que le surplus économiques, la liberté créative est engloutie par les agendas politiques et étouffée par la présence des états dans les arts.

Libéralisme, liberté, financement public, ingérence étatique ; ces notions - que nous avons tous en tête de temps en temps - sont-elles perçues de la même façon dans des contextes historiques, économiques et sociaux différents ? Cette section nous donne un aperçu des divers paradigmes, défis et aspirations qui prévalent aux quatre coins du monde.

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When addressing the status of artists in Romania, the general conversation tends to be about the low income and inadequate social services for those working in the arts. The creative ecosystem is viewed as unpaired, and therefore worthy of a distinct status within society.
IETM gets ready to host its Plenary Meeting in Bucharest, Romania, with a particular focus on the current position of the artist in contemporary societies, as well as on the financial and social conditions of pursuing a career in the arts. This series of articles reveals what is to be an artist in today's Romania.
The plaza in front of the one of the festival theatres. Nitra, Slovakia.
While I grew up during the fall of the Soviet Union, it’s important to acknowledge that Western anti-communist propaganda and the lingering effects of the Cold War kept me distanced from any realistic notion of life and culture in Eastern Europe.
From 26 to 29 January, IETM organised a Caravan meeting in Tehran, coincided and partly hosted by the Fajr International Festival. Since we preferred to meet with a broader slice of the performing arts scene, especially the ‘independent’ artists and those forced to work ‘underground’, our daytime programme was compiled by several partners in Tehran.
The National Endowment for the Arts (NEA) in the United States, in partnership with the National Arts and Disability Center (NADC) and the U.S. Department of Labor’s Office of Disability Employment Policy (ODEP), held an online conversation with three hundred and ninety registrants representing artists, arts administrators, arts organizations, arts educators, arts employers, and disability organizations about how to increase the career preparation and employment of people with disabilities in the arts. This report summarises the main findings.
What will the Trump administration mean for arts, culture and entertainment? How bleak — or not — is the outlook for everything? Will Congress, solidly under total Republican control, actually follow through on their decades-long threat to defund the National Endowment for the Arts?
Canada has welcomed more than 35,000 Syrians since last year, in stark contrast to other countries that are sealing their borders in response to the refugee crisis. To help them integrate, the country is turning to art—a critical part of Syria’s history and culture.
Art in public spaces in Lebanon: A research project and tool guide on the legal and administrative challenges and opportunities.
Platform: East European Performing Arts Companion
Platform: East European Performing Arts Companion – was written by thirty seven authors from twelve countries and is the effect of years of cooperation between theatre theorists, critics and historians from Central and Eastern European Countries.
supporter of Donald Trump - photo credit: AP/Matt Rourke (source: Salon.com)
At one point during the presidential campaign, Hillary Clinton suggested that half of Donald Trump’s supporters belonged in “a basket of deplorables” which she described as consisting of “the racist, sexist, homophobic, xenophobic, Islamaphobic – you name it.” Whether such “deplorables” are really half in the Trump camp or not, they have indeed reached a critical mass across the world - and many of the features that the “deplorables” share are “cultural”.

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