À travers le monde

Alors que dans certains pays d’Europe les arts sont pris au piège des réalités du marché et opprimés par des exigences telles que le surplus économiques, la liberté créative est engloutie par les agendas politiques et étouffée par la présence des états dans les arts.

Libéralisme, liberté, financement public, ingérence étatique ; ces notions - que nous avons tous en tête de temps en temps - sont-elles perçues de la même façon dans des contextes historiques, économiques et sociaux différents ? Cette section nous donne un aperçu des divers paradigmes, défis et aspirations qui prévalent aux quatre coins du monde.

fbittencourt
Millions of Syrians have fled their war-torn country. Those who stayed behind are confronted daily with the ongoing war. 26-year-old Ahmad Joudeh is one of them. He fights the war in his own way.
Elenq
The NEA has posted a very interesting interview between their Sunil Iyengar and the critic Leon Wieseltier. It raises interesting questions about the role of measurement in arts policy. So here is a question: what really is the demand for performance measures in public spending? After all, the biggest spending item in the US government (excluding transfer payments to individuals) is far and away the military. It is not my impression that defense spending is determined by the latest set of performance indicators. Farm subsidies? Transportation infrastructure? The tax expenditure involved in...
Elenq
"Canada is going all in on a model of cultural diversity — supported by arts that allow for a non-threatening celebration of identity and cultural difference — that other countries seem to think is outdated, unworkable and susceptible to exploitation by hostile forces. The arts, Joly says, are linked to all of Canada’s ambitions in the world today, and Canada sees itself as an international role model."
fbittencourt
Cape Town, aptly named ‘the colony’ by some of its residents, is a clear and horrifying example of the disparities in wealth distribution and the remnants of apartheid in post-colonial South Africa. While living conditions, education and job opportunities are limited for the person of colour – both due to the quality offered or affordability – many African creatives have found a way to tap into the monetising of their culture as seen through the European gaze.
Elena DI FEDERICO
NGO Siyah Bant's report explains how film festivals in Turkey resist to pressures to censor cinematic works and how they can increase the possibility of resistance to censorship. Cases of censorship at film festivals in Turkey have become increasingly common, more visible and have brought about devastating changes, creating a need for research focusing particularly on restrictions of freedom of expression at festivals. In this report, NGO Siyah Bant aims to lay out the strategies followed by film festivals in response to pressures to censor cinematic works and to develop the groundwork for...
Elena DI FEDERICO
Este informe, encargado por el Observatorio de la Artes Escénicas Aplicadas (Instituto del Teatro, Barcelona), propone un diagnóstico sobre la situación de las artes escénicas aplicadas en Cataluña. Los objetivos de este informe son los siguientes: · Definir las características y analizar la situación actual de las entidades e instituciones que trabajan en el ámbito de las artes escénicas aplicadas a la comunidad, la educación y la salud, mediante un estudio de diagnóstico centrado en Cataluña pero que tome en consideración tendencias y algunas referencias significativas observadas en el...
Elena DI FEDERICO
In the past two years, several members of The Freedom Theatre (a theatre and cultural centre in Jenin Refugee Camp, occupied Palestine) have been unable to travel due to either denied visas or denied entry/exit by border officials. The Freedom Theatre senior staff member Mustafa Sheta was recently denied exit by Israeli border authorities to attend a visa appointment at the US Embassy in Amman. Third-year acting student Osama Al Azzeh was denied entry by Jordanian border authorities to participate in community theatre performances in refugee camps. In the past two years, several members of...
Elenq
“No future without culture”. Placing culture at the heart of international cooperation is essential if we are to make development a sustainable process. ECDPM applies a culturally sensitive approach to development by working on societal dynamics and their interaction with policy-making.
Elenq
"The first fruits of the EU’s new “cultural strategy” for external relations was on show at the Development Days conference in Brussels on Wednesday (15 June), as a theatre troupe from both warring sides in Sri Lanka showed how working together could aid in post-conflict resolution."
Elenq
The Hungarian government regards all autonomous organizations as a threat and is attempting to bring them under its own influence, or make their operations impossible.

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