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Alors que dans certains pays d’Europe les arts sont pris au piège des réalités du marché et opprimés par des exigences telles que le surplus économiques, la liberté créative est engloutie par les agendas politiques et étouffée par la présence des états dans les arts.

Libéralisme, liberté, financement public, ingérence étatique ; ces notions - que nous avons tous en tête de temps en temps - sont-elles perçues de la même façon dans des contextes historiques, économiques et sociaux différents ? Cette section nous donne un aperçu des divers paradigmes, défis et aspirations qui prévalent aux quatre coins du monde.

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This publication sheds some light on the different IETM events and publications which brought attention to the IDEA topic, and gives voice to six IETM members who each in their unique way describe their stance on inclusion.
The fourth episode of the series recaps the main objectives of the Rewiring project and introduces the results of the large online brainstorm session held on 19 May.
David Pledger argues that a UBI requires a leap of imagination for Australian artists, out of the tactics of servitude and survival and into the heart of a strategy that can deliver a vision for all.
This fourth episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and the promising aspects of our current practices.
This third episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and maps the concerns withen our sector.
The second episode of the series flashes back to past achievements of IETM since its misty origins in the early eighties, until now, and the conditions for the success.
In response to the current COVID-19 crisis, ISACS circulated a survey among their members to ascertain the impact of same on their livelihoods.
This first episode of the Rewiring the network for the twenties series brings an in-depth introduction to the journey ahead of us and explains the methodology we will follow.
This report summarises the key findings of the survey we have circulated among our members to get a grip on how the COVID-19 crisis has affected them so far.
©Albert Dobrin
Cultural sector in Romania has been severely affected by the coronavirus pandemic. Early March, cultural organisations started to postpone their events (exhibitions, music concerts, film festivals, workshops, masterclasses, theatre plays).

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