Politiques européennes

Que l’Europe soit (supposément) mue par une logique économique ou des valeurs communes intangibles, l’élément culturel qui fait son essence ne doit pas être négligé. Dans la sombre réalité d'aujourd'hui, l’Europe doit changer radicalement de discours et renforcer le sentiment d’appartenance à une culture commune. Les arts sont pour les communautés un moyen de créer un espace et des outils qui leur permettent de prendre part à un dialogue dans lequel chacun partage librement son point de vue, est compris et accepté. En outre, les arts sont les garants des conditions nécessaires au maintien de la démocratie ainsi qu’à l’existence et à la prospérité de l’UE. 

Cette section traite à la fois du rôle des arts et de la culture dans l’avenir de l’UE et des politiques européennes qui concernent notre secteur.

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In this Declaration from the European Theatre Forum 2020 co-written by IETM, we address the current challenges faced by theatre and the performing arts and put forward eight policy recommendations and actions to strengthen these sectors in the years ahead.
This short report summarises the key findings of our On the Road Munich, organised in collaboration with Meta Theater on 24 October 2020, both online and on-site in the Pasinger Fabrik in Munich, Germany.
This essay written by Théo Majcher in 2017 with the support of the European Network for Cultural Centres (ENCC) is adressing the theme of European identity through the values of arts and culture.
This Joint Research Centre report on COVID-19 and cultural and creative sectors identifies highly vulnerable cultural jobs and creative cities.
In the face of the COVID-19 crisis, we call on the national governments to take measures to safeguard the long-term viability of the cultural and creative sectors.
This report summarises the key findings of the survey we have circulated among our members to get a grip on how the COVID-19 crisis has affected them so far.
This report presents a study on the circus sector in the European Union. The study focusses on collecting, creating and presenting quantitative and qualitative information to report on the current situation of the sector in the European Union.
Mariya Gabriel’s wide portfolio, as well as the lack of reference to ‘culture’ as part of its title, has brought some confusion regarding what is to be expected for.
This report is a foresight scenario-based study which assesses the way the European CCS are already affected and could be affected in the future by economic, social, political or technologic changes. The first part of the study analyses the state-of-play, while the second part advances a prospective analysis grounded on scenarios with different degrees of probability on the future of CCS and tested through consultation with a wide range of stakeholders.
This Report illustrates the achievements of Creative Europe in 2018, in line with its mission to safeguard cultural diversity and strengthen the competitiveness of the cultural and creative sectors, in particular the audiovisual sector. In presenting the wide range of activities undertaken and the results achieved, the report shows the value of Creative Europe as a whole, which is greater than the sum of its individual parts.

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