Inclusion

We believe it is in the nature of the arts to hold up a critical mirror to society, and to break down barriers between its different groups. But is our sector fully reflective of the communities we live in?  

This debate is about the urgency to open up the arts to all of society - to all the classes, ethnicities, physical abilities, and backgrounds that constitute it.

 

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Plenty Productions shares its experience of developing new audiences for its show Snakes and Ladders through outreach and targeted marketing activity. An interesting read to learn how to engage Black and Minority Ethnic (BME) audiences, involving communities in touring productions, and developing audiences for touring productions.
The live performance sector - that is still today the main source of employment for performers throughout the world - is a very dynamic one. It has existed for centuries and has always been able to adapt. The pressures it is now confronted with are largely driven by the crisis-ridden global economic context and the expansion of IT and its related new technologies. This document reveals the numerous challenges that need to be overcome. This report presents the results of a survey conducted by tFIA (International Federation of Actors) in summer 2014. It is based on an online questionnaire that...
Using performers with disabilities brings a layer of authenticity that you don’t have to go searching for.
Este informe, encargado por el Observatorio de la Artes Escénicas Aplicadas (Instituto del Teatro, Barcelona), propone un diagnóstico sobre la situación de las artes escénicas aplicadas en Cataluña. Los objetivos de este informe son los siguientes: · Definir las características y analizar la situación actual de las entidades e instituciones que trabajan en el ámbito de las artes escénicas aplicadas a la comunidad, la educación y la salud, mediante un estudio de diagnóstico centrado en Cataluña pero que tome en consideración tendencias y algunas referencias significativas observadas en el...
The arrival and presence of refugees in Europe remains a critical issue. The policies of national and supranational governmental organizations are by and large ineffective and often hostile. Self-organizing grass-root initiatives of citizens in many different European cities and across countries have endeavoured to compensate for what the political ruling class is failing to do.
I think the fact that I’m a trans person who has played cis [short for cisgender, or not transgender] characters invalidates a lot of biases that have kept trans people from being cast. Just like some people believe that gay or lesbian actors can’t play straight actors, there is a similar bias that trans people can’t play cis.
“Early dance is populated with females, yet the higher up the ladder you go the less women you see.”
Cultural policies which ensure freedom of expression and promote creativity are essential for a country's long-term development. This was the main theme of a debate on 2 May, between UNESCO’s Director-General, Irina Bokova and six Nordic culture ministers, marking the start of this year’s World Press Freedom Day events in Helsinki, Finland.
"Intercultural communication also matters for international political achievements. Policy makers tend to talk over each other, rather than with each other, in global governance systems due to the lack of intercultural exchange." Helly, D. 2016. Intercultural integration and communication: An agenda for Europe. ECDPM Talking Points blog, 21 April 2016.
The creative case for diversity advocates one conversation about art - how it is created and engaged with, how it innovates and communicates - with the true value of diversity and equality at the heart of it. Everyone has a stake and a say in the creative case

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