Reconfigurer le réseau (pour les années 20)

Les arts du spectacle ont essuyé de véritables tempêtes au cours des dernières années.

Les conditions environnementales, sociales et politiques en constante évolution exercent de lourdes pressions sur notre travail. Nous nous évertuons tous de trouver des réponses et des solutions, mais comment celles-ci peuvent-elles dépasser le stade de simples stratégies de survie ? La réponse est claire. Afin d’avoir un véritable impact systémique, nous devons unir nos forces et travailler ensemble.

Rewiring the Network (for the Twenties)

The performing arts have been going through some rough weather in recent years.

Changing environmental, social and political conditions have increasingly put our work under pressure. All of us are trying to come up with answers and solutions, but how can these be more than just survival strategies? The answer is clear. In order to have a real systemic impact, we need to work together.

The fourth episode of the series recaps the main objectives of the Rewiring project and introduces the results of the large online brainstorm session held on 19 May.
Cette page est disponible uniquement en anglais. As part of our major Rewiring the Network project, we have been publishing a series of four blog posts in which we explore the past, the present and...Read more
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As part of our major Rewiring the Network project, we have been publishing a series of four blog posts in which we explore the past, the present and the possible futures not only for our network but...Read more
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Les mesures mondiales de confinement ont généré une vague de numérisation, qui a sans l'ombre d'un doute emporté les arts du spectacle avec elle. Il n'est pourtant pas évident pour ce secteur de...Read more
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This fourth episode of the Rewiring the network for the twenties series evaluates the results of our most recent survey and the promising aspects of our current practices.
Global lockdown measures have generated a wave of digitalisation, and the performing arts have undoubtedly been pulled in with it. As it is not that obvious for the live arts to jump from the real...Read more
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