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Plenary meeting DETAILS
IETM Spring Plenary Meeting in Berlin, 15-18 April 2010
From 15-04-10 till 18-04-10 - Berlin, Germany
Plenary meeting - All Parts - posted by IETM on 06.10.09
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Performances programme
- Overview of the artistic programme (pdf)
- C Berlin (Parallel activities, Saturday 17 April 2010)
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Map of the diferent venues
Primero
www.lesballetscdela.be - Choreography: Lisi Estaras/ Les Ballets C de la B
Venue:
HAU 2 – Hallesches Ufer 32, 10963 Berlin
Time:
Thursday 15 April – 20:00
Duration: 75 min
Price for IETM participants: 7€
Genre: Dance
Choreography, Texts, Performance: Lisi Estaras, dansé et crée par Bérengère Bodin, Benny Claessens, Samuel Lefeuvre, Vania Rovisco, Nicolas Vladyslav, Music : Yom – Clarinette, Dramaturgy : Bart Van den Eynde, Set Design : Wim Van de Cappelle, Light Design: Kurt Lefevre
Sound Design: Sam Serruys, Costume Design: Dorine Demuynck
Production: les ballets C de la B, Coproduction : Théâtre National de Chaillot (Paris), TorinoDanza, Grand Théâtre de Luxembourg, Göteborgs Dance & Teater Festival, Théâtre les Tanneurs (Bruxelles), Tour management: Mimi van de Put, With the support of: City of Ghent, Province of East-Flanders, the Flemish Authorities, Thanks to: Zahava Seewald, Isnel da Silveira, Alain, Joseph Tsiamoglou
Synopsis:
In her latest dance creation “Primero”, Lisi Estaras reflects on “the first time” and how we remember it. The first time that we went cycling alone, that we were caught lying, that the father told us that we were too old to sit on his lap, that we kissed somebody… Mostly we only realise in retrospect that leaving childhood step by step includes two fundamental and identity-generating experiences: There are other people who are having or have had the same experiences like us. That is why we lose our own apparent uniqueness which we still took for granted when we were children.
Additional information:
LES BALLETS C DE LA B (Ghent-Belgium) was founded by Alain Platel in 1984. Since then it has become a company that enjoys great success at home and abroad. As a result of its ‘unique mixture of artistic visions’, les ballets C de la B is not easy to classify.
LISI ESTARAS’ memory of childhood is above all influenced by Jewish Klezmer music. Along with composer and clarinettist Yom as well as with five dancers she embarks on a journey into this personal and collective country of memory.
Another.Fucking.Solo
Ami Garmon
Venue:
Ballhaus OST - Pappelallee 15, 10437 Berlin
Time:
Thursday 15 April - 20:00 (Premiere)
Friday 16 April - 20:00
Saturday 17 April - 20:00
Duration: 105 min
Price for IETM participants: 8 €
Language: English
Genre: Choreographic play
Choreography, Texts, Performance: AMI GARMON
Music: GREG HAINES
Set design: REMO LOTANO
Video: HANNA LIPPMANN
Lights: ARNAUD POUMARAT
And special guest: TBA Administration EHRLICHE ARBEIT
Production management: SUSANA LOPEZ-RUBINO
Tour management: ESTHER WELGER BARBOZA.
Synopsis:
Another. Fucking. Solo. explores the struggle between accepting or transforming oneself in the face of meaninglessness. The piece produces a veritable archive that examines the distinction between fantasy and imagination and a paradoxical longing to both experience and tame the exquisite. It results in a duet between patience and hunger. How much of sharing is there really in the act of (self)preservation?
Additional information:
Garmon, American, lives and works in Berlin and France. In collaboration with visual and sound artists she creates performance installations, which generate an intense emotional and poetic atmosphere for her texts, her voice and her dance. The premiere of her last solo “Take me home with you” was presented at the festival Uzès Danse France and the Tanznacht Berlin. Photo: Sarah Heuser.
WORTH#1
Rahel Savoldelli and Tim Haberger
Venue:
Ballhaus OST - Pappelallee 15, 10437 Berlin
Time:
Friday 16 April – 22:00 (Premiere)
Saturday 17 April – 22:00
Sunday 18 April – 22:00
Duration: 60 min
Price for IETM participants: 8 €
Language: German/ English
Genre: Theatre performance
By and with TIM HABEGER (PushPush, Atlanta) and RAHEL SAVOLDELLI (GUTESTUN).
Synopsis:
A reflection on value, money and society, but also on judging quality and on relationships. After their last production CopyME, Tim Habeger and Rahel Savoldelli dedicate their attention once more to the question of the role of art in the society. Worth#1 invites you to redefine your moral concept and to observe how only antisocial instincts can lead us to create something really social...
Additional information:
RAHEL SAVOLDELLI studied acting and works since 2001 as a freelance performer and creator in Berlin. She worked with Constanza Macras/ Dorkypark, as well as with the theatre company Lubricat/ Dirk Cieslak. Together with Anne Tismer Kollektiv GUTESTUN, with whom she has created such pieces as No, he was white, Gutes Tun 1,3 and Bei Mir (nominated best German piece 2007, Irene Batzinger, Theater Heute) and copyME, she created in 2005 a solo piece about intellectual property and remix. Photo: GUTESTUN.
Express Fight Club (Version III)
post theater [new york / berlin / tokyo]
Venue:
Dock11 - Kastanienallee 79
Time:
Friday 16 April - 20:00
Saturday 17 April - 20:00
Sunday 18 April - 20:00
Duration: 40 min
Price for IETM participants: 7 €
Language: English and German
Genre: multimedia performance
Choreography: Alexander Schröder as well as 30 performers – in different casts, different Berliner choreographers (announcement at performance)
Dramaturgy: Max Schumacher
Media art: Yoann Trellu, Hiroko Tanahashi
Sound design and music: Sibin Vassilev
Technical management / Light design: Fabian Bleisch
Production management: Mario Stumpfe
Synopsis:
“I am not my job” – the novel and film “Fight Club” negotiate the role of work in the creation of identity. This performance adapts this process and shows how quickly a special kind of group can be formed. The first rule of Fight Club: Do not talk about Fight Club. After touring Spain and Taiwan with this piece, post theater has created a new version for Berlin.
Additional information:
A multimedia performance by post theater [new york / berlin / tokyo] with 30 anonymous choreographers. Directed by Hiroko Tanahashi and Max Schumacher. Photo: Marcus Lieberenz.
BIG DEAL?
David S. Craig
Venue:
GRIPS Theater – Klosterstr. 68, 10179 Berlin
stage: stage: GRIPS MITTE in Podewil
Time:
Friday 16 April - 18:00 (Premiere)
Saturday 17 April - 19:30
Duration: ca. 90 min
Price for IETM participants: 9 €
Language: German
Genre: Children and youth theatre, 13+, theatre performance
Director: Robert Neumann
Thomas Ahrens, Katja Hiller
Synopsis:
Alex: “When was the last time you got through a day without a joint?” - Jan: “I don’t remember…”
A boy who confuses escape with rebellion, a father who puts control in place of communication, a drug rehab caseworker struggling with problems of her own, and a deal with a surprising outcome. “Big Deal?” is an intelligently intensive confrontation with the topics of puberty and identity – a piece on drug addiction, desire and family as a difficult experiment.
Additional information:
The author David S. Craig is founder and artistic director of the Roseneath Theatre in Toronto. The director Robert Neumann (born 1977) is an actor with the GRIPS ensemble and gives his director's debut with BIG DEAL? Illustration: Max Julian Otto.
Les possédés
cie. Toula Limnaios
Venue:
HALLE TANZBÜHNE BERLIN - Eberswalder Straße 10-11, 10437 Berlin
Time:
Thursday 15 April - 21:00
Friday 16 April - 21:00
Saturday 17 April - 21:00
Sunday 18 April - 21:00
Duration: 65 min
Price for IETM participants: 10 €
Language: No text
Genre: Dance
Concept/ choreography: Toula Limnaios
Music: Ralf R. Ollertz
Dance/creation: Mercedes Appugliese, Fleur Conlon, Kayoko Minami, Clebio Oliveira, Ute Pliestermann, Hironori Sugata
Light design: Maximilian Stelzl
Technical direction: Jan Langebartels
Costume design: Antonia Limnaios, Toula Limnaios
Assistant: Felipe Luck
Public relations: Silke Wiethe
Photos: cyan
Synopsis:
Following an extensive tour in Brazil, this highly successful Dostoyevsky-inspired piece can be seen again in Berlin.
“With their dance ensemble, Toula Limnaios & Ralf Ollertz have found an impressive way to transform literature into movement and music.” (zitty) “The turmoil within is made visible in riveting images which the choreographer champions.” (Tagesspiegel)
Additional information:
View a video excerpt
Credits: A production of cie. toula limnaios with kind support of the Kulturverwaltung des Landes Berlin and the conceptual support of Fonds Darstellende Künste e.V. from federal funds.
Black Tie
Rimini Protokoll - Helgard Haug, Daneil Wetzel
Venue:
Hebbel am Ufer 1 - Stresemannstraße 29
Stage: HAU 1
Time:
Thursday 15 April - 20:00
Friday 16 April - 20:00
Saturday 17 April - 15:00
Sunday 18 April - 12:00
Duration: 80 min
Price for IETM participants: 7 €
Language: English
Genre: Theatre performance
With Miriam Yung Min Stein, Hye-Jin Choi and Ludwig
Book and production: Helgard Haug & Daniel Wetzel (Rimini Protokoll)
Research and dramaturgy: Sebastian Brünger
Set design: Helgard Haug & Daniel Wetzel
Music: Peter Dick (Ludwig / The Noes have it)
Light design: Marc Jungreithmeier
Interaction design: Grit Schuster
Production management: Heidrun Schlegel
Translation: Jenna Krumminga
Assistant director: Dorit Abiry
Set design assistant: Sina Gentsch,
Interaction design assistant: Tobias Üffinger
Production assistant: Dimitris Bampilis
Synopsis:
On the period before she received her first identity documents, Miriam Yung Min Stein had only the mysterious information obtained from the adoption services office: “In 1977 you were found wrapped in newspaper inside a box in South Korea.” How does one tell the story of one’s origins when, as in Stein’s case, the recording can begin with landing at a German airport? “Black Tie” orbits the black hole of ancestry as well as the odd and much discussed issue of human genetics.
Additional information:
After three pieces using larger texts as their subject – Schiller’s “Wallenstein,” the first volume of Marx’s “Capital” and the “Breaking News” of the evening news – Rimini Protokoll’s new work directs its microscopic gaze to the documents of a life.
A production of Rimini Apparat in Coproduction with Hebbel am Ufer Berlin and Theaterhaus Gessnerallee Zürich, in cooperation with Wiener Festwochen.
Sponsored by the Governing Mayor of Berlin – Senate Chancellery – Cultural Affairs. Photo: Braun, drama-online.de/
Radio Muezzin (film)
Rimini Protokoll - Stefan Kaegi
Venue:
Hebbel am Ufer 1 - Stresemannstraße 29
Stage: HAU 1
Time:
Saturday 17 April - 20:00
Duration: 80 min
Price for IETM participants: Free admission
Language: Arabic with English subtitles
Genre: Film/ documentary play
Synopsis:
Hebbel am Ufer shows the filmed documentation of Stefan Kaegi’s theatre production “Radio Muezzin”. On a carpeted stage of HAU 2, four muezzins from Cairo talk about their lives, jobs and the centralisation of the calls to prayer, which was initialised of the Minister of Religious Affairs. Shoeless, as if in a mosque, they show family snapshots and pictures of their neighbourhoods and explain to the audience how to wash and pray according to the Muslim ritual and what the call to prayer means to them!
Additional information:
The concept arose after a decision in 2004 by the Egyptian Minister of Religious Affairs who announced “that the public racket caused by Cairo’s hundreds of muezzins leading the daily calls to prayer over scratchy loudspeakers across the city was simply too much for residents to bear any longer. The 30 best muezzins chosen by the Ministry would take turns broadcasting the call to prayer live via a dedicated radio channel.” (New York Times, 18/03/2009). Photo: Claudia Wiens.
Rwanda Revisited
Hans-Werner Kroesinger
Venue:
Hebbel am Ufer 2 - Hallesches Tor 32
Stage: HAU 2
Time:
Saturday 17 April - 17:00
Sunday 18 April - 14:00
Duration: 120 min
Price for IETM participants: 7 €
Language: German with English surtitles
Genre: Theatre performance
Conceived and directed by Hans-Werner Kroesinger
With Judica Albrecht, Ana Kerezović, Armin Dallapiccola, Gotthard Lange, Lajos Talamonti
Set: Valerie von Stillfried
Sound: Daniel Dorsch
Research: Regine Dura
Lights: Thomas Schmidt
Assistant director: Johanna von Rigal
Management: Katrin Brauner
Synopsis:
During some 100 days more than 800,000 people were massacred in Rwanda. What was the UN Security Council’s role in this incident? “Rwanda revisited” is looking into the case of the General Romeo Dallaire. The play is based on Dallaire’s elaboration of an emergency plan for an international intervention, as well as on Rwanda’s European colonial history, which was the origin of an ethnical division between the Hutu and the Tutsi. What caused these conflicts and what are the rules that the protagonists of the peace keeping missions must follow? And: Why should a war in Africa bother us?
Additional information:
Author: In “Herero 100”, Hans-Werner Kroesinger dealt with the German colonial war in Namibia, dating more than 100 years back. He last performed at HAU “History Tilt”, a play on the silence concerning the genocide of the Armenians and “Beirut Report”. Photo: David Baltzer.
Credits: Sponsored by the Governing Mayor of Berlin – Senate Chancellery – Cultural Affairs.
Line Up.
Various performers and groups
Venue:
Hebbel am Ufer 3 - Tempelhofer Ufer 12
Stage: HAU 3
Time:
Saturday 17 April – 12:00-14:00 (Performance)
14:00-16:00 (Dance)
Duration: 4 hours
Price for IETM participants: Free admission
Language: English
Genre: dance and theatre performance
Moderation Presentation I Performance: HAU-Curator Stefanie Wenner.
Moderation Presentation II Dance: HAU-Curator Pirkko Husemann.
Synopsis:
Many of the dance and performance groups that the HAU is working with will present their work in two Sections. Every half hour a dancer or a performance group will be presenting one example of their work by video, performance or talk. Jeremy Wade, Jana Unmüssig, Lea Martini and Eszter Salomon are only some of these talented choreographers who will show their work. The performance groups will be represented by She She Pop, Showcase Beat Le Mot, Martin Clausen and Boris Nikitin.
Additional information:
PRESENTATION I PERFORMANCE, 17 April 2010, 12:00-14:00
12:00 - Showcase Beat Le Mot
12:30 - Boris Nikitin
13:00 - She She Pop
13:30 - Martin Clausen
PRESENTATION II DANCE, 17 April 2010, 14:00-16:00.
14:00 - Jana Unmüssig
14:30 - Lea Martini
15:00 - Eszter Salomon
15:30 - Jeremy Wade
West in Peace or the Last Summer of the Indians
andcompany&Co.
Sarah Günther, Alexander Karschnia, Nicola Nord, Sebastian Šuba, Sascha Sulimma &Co
Venue:
Hebbel am Ufer 3 – Tempelhofer Ufer 12
Stage: HAU 3
Time:
Thursday 15 April - 20:00 + 22:00
Friday 16 April - 18:00
Duration: 80 min
Price for IETM participants: 7 €
Language: German with English surtitles
Genre: Theatre performance
Stage and costume design: Christine Bentele
Assistant stage and costume design: Anke Gänz
Light design: Gregor Knüppel
Technical director: Marc Zeuske
Set: Jörg Fischer
Production management: Anne Schulz
Production assistant: Marta Hewelt
Synopsis:
While the red sun sinks behind the nuclear power plant, campers pitch their tents to pass the time around the camp fire or at the torture pole: Polish cowboys, East-German Indian impersonators and a nouveau-riche undertaker from Berlin-Neukölln. Behind the scenes the crisis is raging: In this western you can experience the state of things of tomorrow already today – beyond law and mercy; Capitalism is not over, it has just begun…
Additional information:
andcompany&Co. is an international performance-collective, which was founded in 2003 by Alexander Karschnia, Nicola Nord and Sascha Sulimma to work with artistic partners on the interface of theater & theory, politics & practice. Their performances are a humorous game with facts & fiction, which packs bits and pieces of aesthetic & philosophical projects of the 20th century musically and mixes them into a new political statement.
andcompany&Co. are artists-in-residence im Hebbel-am-Ufer (HAU), Coproduction: andcompany&Co. with Hebbel am Ufer, FFT Düsseldorf, Pumpenhaus Münster and Goethe-Institut Warschau.
Sponsored by the Governing Mayor of Berlin – Senate Chancellery – Cultural Affairs, the Fonds Darstellende Künste and the Adam-Mickiewicz-Institute. Photo: Gregor Knuepel.
A Warning Poem
Tamer Yiğit and Branka Prlić
Venue:
Hebbel am Ufer 3 - Tempelhofer Ufer 12
Stage: HAU 3
Time:
Saturday 17 April - 20:00 + 22:00
Sunday 18 April - 14:00
Duration: 80 min
Price for IETM participants: 7 €
Language: German with English subtitles
Genre: Theatre performance
Directors: Tamer Yiğit and Branka Prlić
Set design: Nele Ahrens
Music: Volkan Türelli, Tamer Yiğit and Ömer Tarakcı
Visuals: Branka Prlić
Actors: Almila Bağrıaçık, Ömer Tarakcı, Talu Emre Tüntaş, Haydar Yılmaz
Assistant director & production management: Marie Viertmann
Synopsis:
Since April 2008 filmmaker and director Tamer Yiğit has been a guest at the Friedrich-Ludwig-Jahn-Schule in Kreuzberg. In the schoolyard he had conversations with teenagers about their everyday-life at high school. Their experiences, aspirations and questions are the basis for Yigit’s new play “Ein Warngedicht” (A Warning Poem). Along with their young actors Yiğit and Prlić speak about and against drifting off into a system which rests on the principles of inclusion and exclusion.
Additional information
Sponsored by the Berliner Projektfonds Kulturelle Bildung. Photo: Cigdem Bagriacik.
Gertrud
An adaptation of the novel by Einar Schleef
Venue:
Maxim Gorki Theater – Festungsgraben 2, 10117 Berlin
Stage: gr. Bühne
Time:
Saturday 17 April - 19:30
Duration: 90 min
Price for IETM participants: 10 €
Language: German
Genre: Theatre performance
Director: Armin Petras
Performed by actors of Maxim Gorki Theater Berlin
Synopsis:
A woman goes through her life lived in a province town of eastern Germany: born in 1909 at times of the German empire, married, had children during the Third Reich, then, getting older in the GDR and subsequently under the rules of a very different system – and finally the reunification, the Federal Republic. Gertrud’s emotions range from resignation, to rage and irony; not only to express her own hopes or fears, but her voice stands for a whole generation, its historic tragedies and inner conflicts.
Additional information:
Author: Einar Schleef, born in 1944 in Sangerhausen. He worked as a stage and costume designer at Volksbühne am Rosa-Luxemburg-Platz and Berliner Ensemble. He left for West Germany and studied to become a film director, worked for a radio station and left then for the Schauspiel Frankfurt to work there as a director. At the same time he wrote his own dramatic work, photo textbooks and the novel “Gertrud” in two volumes. In the 90s Schleef worked at the Berliner Ensemble. He died in 2001 in Berlin. Photo: Bettina Stoess.
Der Geizige/ The Miser
PeterLicht inspired by Molière
Venue:
Maxim Gorki Theater – Festungsgraben 2, 10117 Berlin
Stage: gr. Bühne
Time:
Sunday 18 April - 19:30
Duration: ca. 90 min
Price for IETM participants: 10 €
Language: German
Genre: Theatre performance
Director: Jan Bosse
Performed by actors of Maxim Gorki Theater Berlin
Synopsis:
In Molière’s “The Miser,” Harpagon is in the displeasing situation of being surrounded by young people waiting for him to die in order to get at his inheritance and wealth. Yet the mistrust of his children and servants is what gives Harpagon the needed energy to continue living. But the pressure increases: What happens to the heirs when the old only get older? Harpagon gives a dinner and at the table one talks – of money and generations.
Additional information:
Author: Poet, musician and artist PeterLicht won the last Ingeborg Bachmann Competition with his text “Geschichte meiner Einschätzung…” (The Story of My Assessment at the Beginning of the Third Millennium) but also the 3sat Prize and the Audience Award. http://www.peterlicht.de Publications: Die Geschichte meiner Einschätzung am Anfang des dritten Jahrtausends. Photo: Bettina Stoess.
A Couple of Poor, Polish-Speaking Romanians
Dorota Masłowska
Venue:
Maxim Gorki Theater – Behind the Gießhaus, 10117 Berlin
Stage: Studio
Time:
Thursday 15 April - 20:15
Duration: 90 min
Price for IETM participants: 9 €
Language: German
Genre: Theatre performance
Director: Armin Petras
Translated from Polish by Olaf Kühl
Performed by actors of Maxim Gorki Theater Berlin
Synopsis:
In the dead of night, two “poor Romanians” roam about a small Polish province pumped full with a wonder drug that erases all sense of suffering. As the numbing dose wears off, they turn into a quirky Polish-speaking couple that, following a drug party, unwillingly spends their first night together.
Additional information:
Author: Dorota Masłowska, born 1983, is considered the greatest young talent in Polish literature today. She became known through her utterly intriguing linguistic and grammatical inventions, which boldly convey the feelings and thoughts of a new generation in Poland. Her debut novel, “Snow White and Russian Red,” was written when Dorota Masłowska was 18, and for the novel “The Queen’s Peacock” she received Poland’s coveted Nike Literary Prize in 2006. Photo: Bettina Stoess.
Gomorra
Adaptation by Roberto Saviano and Mario Gelardi
Venue:
Maxim Gorki Theater – Hinter dem Gießhaus, 10117 Berlin
Stage: Studio
Time:
Friday 16 April - 20:15
Duration: 90 min
Price for IETM participants: 9 €
Language: German
Genre: Theatre performance
Director: Peter Kastenmüller
Translated from Italian by Sabine Heymann
Performed by actors of Maxim Gorki Theater Berlin
Synopsis:
The journalist Robert Saviano has researched and analyzed the inner workings of today’s organised crime. Southern Italy’s Camorra is the highly-active symbol for a living and living-among-us trap of capitalism as a life-consuming economy. How many euros is a life worth? Shamelessly, the Mafia asks this question – and it has little to fear: its system is our system in a slightly different guise.
Additional information:
Author: Roberto Saviano grew up near the city of Naples in a Camorra stronghold. In 2006 he published the documentary novel “GOMORRA,” which exposes practices of organized crime and their direct connection to the economy and politics. Saviano was the first to mercilessly name the perpetrators involved, for which the author achieved fame and at the same time forfeited to a large degree his personal freedom. “GOMORRA” was filmed by Matteo Garrone in 2008.
Credits : This stage adaptation of the novel "Gomorrha" by Roberto Saviano was realised with the agreement of the publishing house Arnoldo Nondadori, Milan, and the agency Roberto Santachiara. Photo: Bettina Stoess.
Darwin's Heir
Evelyne de la Chenelière
Venue:
Theater an der Parkaue – Parkaue 29, 10367 Berlin
Stage: Bühne 3
Premiere: 14 April 2010
Time:
Thursday 15 April - 10:00
Friday 16 April - 10:00 + 19:00
Duration: ca. 90 min
Price for IETM participants: 7 €
Language: German
Genre: Children's theatre 11+
Synopsis:
Not only has Julien gone through all his own money, but also the savings of his friend Jacques, who wonders why his friend from an affluent family doesn’t simply ask his parents for help. One realises how difficult it is to have a friend from a different social sphere. How relevant is the “survival of the fittest” theory today: who is best suited for society? Is personality the decisive factor or do the selection processes depend on money?
Additional information:
Author: Evelyne de la Chenelière, born 1975 in Montreal, studied literature and acting in Paris. She writes plays for the stage and radio and performs on stage. In 2000 her debut theatre piece “Strawberries in January” was named the year’s best play by Académie québécoise du théâtre.
Director: Vicky Krieps, born 1983, studied acting in Zurich and performed as an actress mostly in Switzerland and Luxemburg. “Darwin’s Heir” is her directorial debut.
Credits: A coproduction with Théâtre National du Luxembourg and Evelyne de la Chenelière
The Bremen Town Musicians
Showcase Beat Le Mot
Venue:
Theater an der Parkaue – Parkaue 29, 10367 Berlin
Stage: Bühne 2
Premiere: 28 March 2010
Time:
Thursday 15 April - 10:00
Friday 16 April - 10:00
Sunday 18 April - 11:00
Duration: ca. 120 min
Price for IETM participants: 7 €
Language: German
Genre: Children's theatre 2+
Synopsis:
In this story the donkey proves his intelligence: “Something better than death can be found everywhere,” he says and clears off. This is how the story of the “Bremen Town Musicians” begins, an early road movie from the children’s fairytale collection of the Grimm brothers. During his travels, the donkey meets the dog, they both meet the cat, and the three of them the rooster. The four fellow sufferers form a sworn community that consoles itself in the face of life’s adversity.
Additional information:
Showcase Beat Le Mot is an international performance, theatre and art group founded in 1997. Since its founding its four members – Nikola Duric, Thorsten Eibeler, Dariusz Kostyra and Veit Sprenger – have worked together on various projects dealing with performance art. Their self-produced as well as self-staged shows have already been performed on many internationally renowned stages.
A Suitable Match
Venue:
Theater an der Parkaue – Parkaue 29. 10367 Berlin
Stage: Bühne 1
Premiere: 4 March 2010
Time:
Thursday 15 April - 19:00
Friday 16 April - 18:00
Duration: ca. 150 min
Price for IETM participants: 7 €
Language: German
Genre: Youth theatre 16+
Director: Sascha Bunge
Corinna Mühle, Birgit Berthold, Katrin Heinrich, Stefan Kowalski Rudolf, Helmut Geffke, Stefan Faupel, Franziska Ritter Kurt, Hagen Löwe, Franziska Krol, Manfred Struck, Mathias Biele, Johannes Hendrik.
Synopsis:
Lene, a washerwoman, loves Botho, a nobleman and officer of the Royal Prussian Garde. The chemistry between the two is perfect, but the class difference hangs overhead. Finally, Botho marries Käthe – pretty, from a respected family, dull. This seals the separation with Lene. Years later, they both have the same social standing. Botho lives with Käthe, Lene has married the middle-class Gideon. But the memory of the past remains an open wound.
Important information:
Sascha Bunge’s adaptation of the novel by Theodor Fontane.
Additional information:
Sascha Bunge was born in 1969. As a director, Bunge worked for the theatres Schauspiel Leipzig, Stadttheater Pforzheim, Theater Aachen, Thalia Theater Halle, Maxim Gorki Theater Berlin, Hebbel am Ufer (HAU) as well as for the German State Theatre in Timisoara/Romania among others. He was producer for the Hellerau Festival Hall in Dresden and artistic director of Dresden’s Projekttheater. Since August 1, 2005, Sascha Bunge is the administrative director and acting theatre director at THEATER AN DER PARKAUE. Photo: Matthias Broneske.
Bunbury - Earnest is a Game
Oscar Wilde
Venue:
Theaterdiscounter – Klosterstraße 44, 10179 Berlin
Time:
Friday 16 April - 20:00
Saturday 17 April - 19:30
Sunday 18 April - 20:00
Duration: 70 min
Price for IETM participants: 5 €
Language: German, English synopsis is on display
Genre: Theatre performane
Director: Georg Scharegg
With Susanne Berckhemer, Cathrin Romeis, Christoph Schüchner, Sven Tjaben
Room: Silke Bauer
Costume design: Lotte Sawatzki
Dramaturgy: Michael Müller
Assistant director: Lisa Kempter
Synopsis:
In this interpretation all images of a fixed character as a realistic individual are being abandoned. The given characters of this play are being used by the performers merely as strategic options for a certain attitude and behaviour - which they can adopt, neglect, swap or barter anytime the rules permit them to. Georg Scharegg’s production reduces the comedy for serious people’s cast to 4 dead-serious players behind double as many characters. Pleasant entertainment!
Additional information:
Director: Georg Scharegg: co-founder and director of the Theaterdiscounter, free theatre venue in Berlin. Director and actor. Photo: Jörg Lipskoch for -impact.com.
The Great Journey – encounters in the labyrinth of light
Directed by Sybille Behr and Stefan Behr, in collaboration with Theater Magica
Venue:
Theaterhaus Berlin Mitte / Theater Anu - Wallstraße 32 (Haus C), Berlin 10179
Time:
Friday 16 April - 21:00
Saturday 17 April - 21:00
Duration: 120 min – “The Great Journey” is a theatrical installation. Visitors decide on their own how long they stay. At least one hour.
Price for IETM participants: Admission Free
Language: English and German
Genre: Performance installation, outdoor
Sybille Behr, Stefan Behr, Lena Ehlers, Sabine Henn, Jacek Klinke, Thomas Schäfer, Martin Thoms (Theater Magica), Franziska Wente.
Synopsis:
The bird woman dreams of flying, the prince does not want to be king… The Great Journey is set in a maze of countless candles – lifelines of light. Eight characters tell the stories of their hopes and disappointments in simultaneous cycles throughout the performance. The visitors themselves become travellers – become players – searching for the way to the centre. A theatre of encounters and atmosphere.
Additional information:
Theater Anu, directed by Sybille & Stefan Behr (Berlin). In collaboration with Theater Magica (Erfurt). Theater Anu is dedicated to creating poetic theatre in public spaces since over ten years. Photo: Rainer Wollenschneider.
View a video excerpt.
Leben lang
Collective creation under the guidance of Luzie Ackers and Marianne Cornil
Venue:
Theaterhaus Berlin Mitte / TheatreFragile
Time:
Friday 16 April - 18:30
Saturday 17 April - 18:30
Duration: 45 min
Price for IETM participants: Admission free
Language: German, no text
Genre: Mask theatre in public places
Actors: Luie Ackers, Marianne Cornil, Katja Tannert, Kristi Hughes
Set design: Mathilde Salaun, Werner Wallner
Technical management: Werner Wallner
Music: Janko Hanushewsky
Artistic consulting: Aleksandar Acev
Costume design: Melle Hug
Trainee: Lillli Döscher
Synopsis:
Leben Lang is a mobile staging for the public space: a collage consisting of contemporary music, a visual theatre of masks as well as installations, created in collaboration with older people. Inspired by the poetry of Ernest Hemingway’s novel “The Old Man and the Sea”, a confrontation with the last stage of human life is adapted for the stage.
Additional information:
TheatreFragile (Berlin) works on theater productions in the public space in which the performers wear masks; their pieces socio-politically confront topics relevant to our society. TheaterFragile regularly appears at international theatre festivals. Photo: TheatreFragile.
The Tale of the Last Thought
Based on the novel by Edgar Hilsenrath
Venue:
Ballhaus Naunynstraße – Naunynstraße 27, 10997 Berlin
Time:
Thursday 15 April - 20:00
Friday 16 April - 20:00
Duration: 90 min
Price for IETM participants: 7 €
Language: German
Genre: Theatre performance
Director: Mıraz Bezar
Synopsis:
“The Tale of the Last Thought” deals with processes of remembering and forgetting, drawing on the tradition of oriental story telling. The plot oscillates between past and present and each of the actors change their age and gender at a dizzying pace. What actually stops you from getting dizzy is the beautiful lucidity and tenderness of it all. (Der Tagesspiegel, 10.10.2009)
Important information:
This unique theatre with its postmigrant cultural praxis offers artists a platform for developing art with a “translocal perspective”. Looking out beyond a national framework, exchange, as well as interdisciplinarity and continuity are important aspects of the programming.
On 15 April: late night meeting point after the play/ 21:30. Photo: Ute Langkafel, MAIFOTO.
The Swans of the Stockyard
Hakan Savaş Mican
Venue:
Ballhaus Naunynstraße – Naunynstraße 27, 10997 Berlin
Time:
Saturday 17 April - 20:00
Sunday 18 April - 20:00
Duration: 90 min
Price for IETM participants: 7 €
Language: German
Genre: Theatre
Text and direction: Hakan Savaş Mican
Synopsis:
“It is intriguing, sad and crazy what Mican has developed from interviews with four actually existing persons and how he interweaves the memory of the drowned children into these stories like surreal dreams.” (Michaela Schlagenwerth, Berliner Zeitung)
The children who drowned in the river Spree form the point of departure for this play about the Berlin Wall and its fall from a post-migrant perspective. Photo: Ute Langkafel, MAIFOTO.
Ammo Nite Gig vol 30
Improvisation series by Yuko Kaseki and guests
Venue:
Dock11 - Kastanienallee 79, 10435 Berlin
Time:
Saturday 17 April - 21:00
Sunday 18 April - 21:00
Duration: 50-60 min
Price for IETM participants: Sliding scale 8-15 €
Language: English
Genre: Dance
Dance/ Vocal/ Performance: Heini Nukari, Dohee Lee (Korean percussion instruments) and Yuko Kaseki.
Lighting: Martin Capatinta
Synopsis:
“Ammo Nite Gig” is a playground for experiments and improvisations of Butoh, dance and music, this time with the Korean dancer and musician from California Dohee Lee, the Finnish dancer and singer Heini Nukari, and the Japanese Butoh dancer and performer Yuko Kaseki. “Encounter, fusion, collision, selection, segmentation – what kind of chemical reaction takes place between the three powerful multicultural women?”. Photo: Laurent Ziegler.
Travelogue I - Twenty to Eight
Sasha Waltz & Guests
Venue:
RADIALSYSTEM V – Holzmarktstraße 33, 10243 Berlin
Stage: Halle
Premiere: 16 September 1993
Time:
Friday 16 April - 21:00
Saturday 17 April - 21:00
Sunday 18 April - 21:00
Duration: 70 min
Price for IETM participants: 15 €
Language: No text
Genre: Dance
Direction/ Concept: Sasha Waltz
Choreography/ Dance: Edivaldo Ernesto, Davide Camplani, Mamajeang Kim, Yael Schnell and Florencia Lamarca
Scenography: Barbara Steppe
Set: Thomas Schenk
Music: Tristan Honsinger Quintett
Composition: Jean-Marc Zelwer “Le Tourment de Vassilissa la Belle”
Light: André Pronk
Technical Team: André Pronk and Tomski Binsert.
The piece has been developed by and with the dancers Nasser Martin-Gousset, Ákos Hargitay, Thomas Lehmen, Charlotte Zerbey, Takako Suzuki and Sasha Waltz.
Synopsis:
The starting point is the kitchen. On this location, five people meet. The kitchen acts as a mirror in which rituals, habits and behaviour patterns can be observed and reflected as they truly are. Through these reflections a web of relationships is woven. The characters run around, neurotic and obsessive in their actions, lonely and lost, unable to find a way out – prisoners of their own social structures.
Additional information:
Sasha Waltz was born in 1963 in Karlsruhe, Germany. She studied dance and choreography in Amsterdam and New York. In 1993 she co-founded her company, Sasha Waltz & Guests, with Jochen Sandig in Berlin. In 1996 she opened the critically acclaimed Sophiensaele, a theatre she co-founded with Sandig. In September 1999, Waltz was named one of the artistic directors of Berlin’s Schaubühne am Lehniner Platz. In 2005 Sasha Waltz & Guests once again became an independent company, with Jochen Sandig as artistic director. In January 2005 her first opera-choreography “Dido & Aeneas” had its world premiere at Staatsoper Unter den Linden, Berlin. In 2007 Sasha Waltz presented, among other works, two music-theatre choreographies: “Medea” with music by Pascal Dusapin and text by Heiner Müller had its World Première in Luxemburg in May as a feature of the European Culture Capital City 2007. In August 2007 she was awarded “Choreographer of the year” by the professional journal ballettanz. In March 2009 Sasha Waltz & Guests presented the choreographer’s latest project “Dialoge 09 – Neues Museum” in the New Museum in Berlin. In April she was awarded the French cultural fraternity “Officier de l’Ordre des Arts et des Lettres”. Photo: Sebastian Bolesch.
Credits: A co-production by Sasha Waltz & Guests and Grand Theatre Groningen, NL. With friendly support of the Berlin Government Dept Culturals Affairs, Performing Arts Fund, Initiative Neue Musik Berlin e.V.
No Plan, No Coincidence
Katja Münker
Venue:
Tanzfabrik – Möckernstraße 68, 10965 Berlin
Time:
Friday 16 April - 19:00 (Premiere)
Saturday 17 April - 16:00 + Discussion with the audience the show
Duration: 90 min
Price for IETM participants: 8 €
Language: German, with English subtitles
Genre: Dance
Please note that booking is not possible in advance for No Plan, No Coincidence. Bookings shall be made at the venue directly.
Synopsis:
Where does (a) movement originate – physically, aesthetically and conceptually? Katja Münker follows the female lines of two protagonists – her mother Elsabe Thieme and her colleague Irene Sieben – in their world of narration and movement. Interweaving fiction and documentary, the performance conveys history and stories focused on movement and dance.
Additional information:
Katja Münker: dancer, choreographer, Feldenkrais teacher. Training in contemporary dance, Release technique, contact improvisation. Movement Studies with Amos Hetz, advanced training in stick fighting, capoeira, Tai Ji, Qi Gong and Yoga. Danced with Condance Company, A. Hetz, J. Burkhardt and works on own pieces. Since 2007 she practices "transploration", a self-organised learning and research project. Photo: Sivan.
Important information:
Double performance (together with Trust Me).
Trust Me
Shannon Cooney
Venue:
Tanzfabrik – Möckernstraße 68, 10965 Berlin
Time:
Friday 16 April - 19:00 (Premiere)
Saturday 17 April - 16:00
Duration: 90 min
Price for IETM participants: 8€
Language: No text
Genre: Dance
Please note that booking is not possible in advance for Trust Me. Bookings shall to be made at the venue directly.
Synopsis:
“Trust Me” was commissioned for the Cuirt International Festival of Literature in Galway, Ireland, in April 2009. Scored from the following quote: “The first sentence of every novel should be: ‘Trust me, this is going to take time but there is no order here, very faint, very human.’ Meander if you want to get to town.” Michael Ondaatje, Canadian novelist.
Additional information:
Shannon Cooney is a Canadian choreographer and dancer. Her choreographic work has been presented in Canada and Europe. She has worked a.o. with Benoît Lachambre, Kim Itoh, Peter Chin, Marie-Josée Chartier. Her teaching experience includes 2009-2010 for Meg Stuart/Damaged Goods, cie. Toula Limnaios, Sasha Waltz & Guests, Tanzfabrik Berlin a.o. Photo: Tiedeman.
Important information:
Double performance (together with No plan, no coincidence).
Som Faves
Ivo Dimchev
Venue:
TanzWerkstatt/ Podewil – Klosterstraße 68, 10179 Berlin
Stage: Podewil, Tanzstudio
Premiere: August 2009
Time:
Saturday 17 April - 22:00
Duration: 60 min
Price for IETM participants: 7 €
Language: English
Genre: Performance
Synopsis:
“Please respect art. It’s very important. (…) If you don’t respect art, there is nothing wrong with you, it’s ok.” Ivo Dimchev’s messages may be contradictory, but his talent as a performer is undisputed. “Some Faves” is his latest solo-show based on topics he finds himself related to: blood, Madonna, food, diagonals, choreography…
Additional information:
The piece war premiered at Tanz im August 2009. Ivo Dimchev has just completed the DasArts programme in Amsterdam. Photo: Dieter Hartwig.
The Re-Discovery of the Amber Road - An expedition by foot from Venice to St. Petersburg
Markus Zohner
Venue:
ufaFabrik – Viktoriastraße 18, 12105 Berlin
Time:
Friday 16 April - 20:30
Duration: tbc
Price for IETM participants: Free admission
Language: German and English
Genre: Book presentation
Synopsis:
From December 2008 to October 2009, Markus Zohner trekked the former Amber Road from Venice to St. Petersburg – a stretch which led him through Italy, Slovenia, Hungary, Austria, the Czech Republic, Slovakia, Poland, Lithuania, Latvia, Estonia and Russia. An expedition through the heart of Europe, through stories and history.
Additional information:
The Swiss performer, photograph and novelist shows photos, reads and talks (in German and in English) about his 4 000 kilometre long expedition by foot through 12 countries in the heart of Europe, from which he just came back. Photo: Markus Zohner - Prolitteris.
Cafetín del Sur – A Tango Collage
Hans-Henner Becker
Venue:
ufaFabrik – Viktoriastraße 18, 12105 Berlin
Stage: ufaFabrik’s Varieté-Salon
Time:
Sunday 18 April – 20:00
Duration: 90 min plus intermission
Price for IETM participants: Free admission
Language: German text, Spanish songs, dance
Genre: Tango collage
Concept: Hans-Henner Becker.
Cantango Berlin with Ofelia Stoll (bass), José Cibils (piano), Aneta Pajek (bandoneon) and Caio Rodríguez (vocals).
Lu Marosa plays the waitress. Chiche Nuñez and Ester Duarte are the dancing couple.
Synopsis:
An old cafetín somewhere in the Barracas district of South Buenos Aires. This is where Maria Vinzenz works as a waitress…
“Cafetín del Sur” is a Tango collage in which recitation, singing, dance, music, stage design and enacted scenes convey to its audience the central themes of tango – dashed hopes, dreams of a better life, the loss of homeland and of the man or woman that one loved, and the fury of injustice.
Additional performance due to popular demand
By and with Thommi Baake
Venue:
ufaFabrik – Viktoriastraße 18, 12105 Berlin
Stage: ufaFabrik’s Wolfgang Neuss Salon
Time:
Thursday 15 April – 20:30
Friday 16 April – 20:30
Saturday 17 April – 20:30
Duration: 90 min plus intermission
Price for IETM participants: Admission free
Language: German
Genre: Theatre performance/ cabaret
Synopsis:
What Thommi Baake brings to the stage is hardly cabaret. The audience experiences a riveting comedy show with originally interpreted songs. With his strong presence, the multi-talented Thommi Baake uses the entire hall as his stage. As he observes, listens and interacts, nothing seems to escape him. He performs for, but mostly with, his audience. An inimitable show that turns into a unique experience.
Topal Total
By and with Murat Topal
Venue:
ufaFabrik – Viktoriastraße 18, 12105 Berlin
Stage: ufaFabrik’s theatre hall
Time:
Thursday 15 April – 20:30
Friday 16 April – 20:30
Saturday 17 April – 20:30
Duration: 90 min plus intermission
Price for IETM participants: Admission free
Language: German
Genre: Theatre performance/ cabaret
Synopsis:
In 2010 Murat Topal celebrates its five-year anniversary of staged performances, reason enough to honour the occasion with a special programme. For “Topal Total” Murat has selected and newly combined his favourite numbers of the last 5 years: highlights garnished with surprise performances but also cool dance and music numbers.
Even if I Know You
Intelligent Enemies and Better Halves
Venue:
Uferstudios GmbH - Uferstraße 8/23, 13357 Berlin
Time:
Friday 16 April - 20:30
Saturday 17 April - 20:30
Sunday 18 April - 20:30
Duration: 80 min
Price for IETM participants: 8 €
Language: Multilingual piece (English, German, Italian) with English and French subtitles
Genre: Theatre
Concept and direction: Nicola Hümpel
Set design: Oliver Proske
Assistant director: Marcel Schwald
Music: Nina Eleta (Sabine Akiko Ahrendt), Thomas Bloch-Bonhoff, By and with Martin Clausen, Adrian Gillott, Miyoko Urayama, Alberto Spagone (Oliver Zgorelec)
Light: Arnaud Poumarat
Sound: Mattef Kuhlmey
Costume design: Frauke Ritter
Production and Tour management: Ilja Fontaine, Marie Henrion
Synopsis:
In Berlin's brand-new "Uferstudio 14", Nico and the Navigators present a play about friendship – about the compulsive relationships we enter into by choice and the conspiracies that exist within friendship. Defiantly, with humour and a sense of the smallness of personal catastrophes, they pick again at existing wounds. Four characters from Germany, England, Japan and Italy are accompanied by a violin and a keyboard.
“They demonstrate how words may strike like shots when faces are so close together.” (Die Zeit)
“A big little show, entertaining and poetic.” (Deutschlandfunk Kultur)
Additional information:
The ensemble was founded under the artistic direction of Nicola Hümpel and set designer Oliver Proske in 1998 at the Bauhaus Dessau. In October 1998 they began a close collaboration with Sophiensaele in Berlin, where the ensemble started working as artists in residence on the cycle Menschenbilder. As has been repeatedly confirmed by the national and international press since 2001, the artistic impact of the ensemble’s theatrical language establishes it firmly within the global theatrical landscape. The ensemble has been twice nominated for the Friedrich-Luft-Preis and for the Berliner Theatertreffen. In Italian theatre's annual Patalogo, Nico and the Navigators were chosen by three critics as “Best Guest Performance 2005” for their production “Der Familienrat”. In 2006 the company was invited for the first time to the Vienna Festival with “Kain, Wenn und Aber” and in the same year it collaborated with the Austrian music ensemble Franui, with whom it created “Wo Du nicht bist”, which had its successful premiere at the Bregenzer Festspiele. In 2009 Nico and the Navigators and Franui co-operated again to present “Anaesthesia”, a Handel’s pasticcio that premiered at the Handel-Festspiele in Halle before going on tour in Hanover, Bregenz, Berlin and Luxembourg. Since 2007 the ensemble has been the recipient of a multiannual subsidy from the Berlin regional government. Photo: Diver Proske.
Credits: A production by
NICO AND THE NAVIGATORS and KAMPNAGEL Hamburg in coproduction with the International Figurentheater Festival of Erlangen, the Festival de Marseille, the Grand Theatre Groningen and Inteatrofestival Polverigi. Sponsored by Berlin regional government and Fonds Darstellende Künste e.V.
Important information:
After the performance on 16 April: inauguration of the Studio 12 - 14
The Financial Crisis is a Turbulent Comedy of Errors
René Pollesch
Venue:
Volksbühne am Rosa-Luxemburg-Platz – Linienstraße 227, 10178 Berlin
Stage: Großes Haus
Time:
Thursday 15 April - 19:30
Duration: 90 min
Price for IETM participants: 8 €
Language: German with English surtitles
Genre: Theatre performance
Director: René Pollesch
Set and costume design: Bert Neumann
With Fabian Hinrichs
Synopsis:
Mabuse…? Wasn’t he an actor of the world economic crisis? And what is it that actors of the world economic crisis do? The financial crisis is a turbulent comedy of errors. It’s the honest surprise about the irrational in a vicinity of pure rationality. But what’s being replaced here? Since nothing is there at all! This smells like market fundamentalism!
Additional information:
René Pollesch, born in 1962, devoted himself to Applied Theatre Studies at Gießen. In 1996 he had a working scholarship with the Royal Court Theatre in London including seminars with Harold Pinter, Caryl Churchill, etc. During the 1999/2000 season he was dramaturg at the Lucerne Theatre, and in autumn 2000 at the Deutsches Schauspielhaus in Hamburg. Since the 2001/2002 season Pollesch has been organizing the Prater programme at Berlin's Volksbühne am Rosa-Luxemburg-Platz. In 2002, Pollesch was elected the best German playwright in a survey of critics conducted by the magazine Theater Heute. Photo: Thomas Aurin.
Revolution Now!
Gob Squad
Venue:
Volksbühne – am Rosa-Luxemburg-Platz – Linienstraße 227, 10178 Berlin
Stage: Großes Haus
Premiere: 4 February 2010
Time:
Friday 16 April - 20:00
Duration: 90 min
Price for IETM participants: 8 €
Language: German and English
Genre: Theatre performance
Concept: Gob Squad
Performance and Development: Johanna Freiburg, Sean Patten, Sharon Smith, Berit Stumpf, Sarah Thom, Laura Tonke, Bastian Trost and Simon Will
Music: Christopher Uhe
Video: Miles Chalcraft, Kathrin Krottenthaler
Sound: Jeff McGrory
Costume design: Pieter Bax
Synopsis:
A staging under real conditions. Gob Squad brings the revolution out of history's archives back to the present. Together with the audience and passers-by, Gob Squad re-enacts revolutionary scenes and historical moments.
Additional information:
Gob Squad is a group of UK and German artists, working collectively with performance, theatre, installation and video since 1994. The group makes and presents its work in urban sites such as offices, houses, shops, railway stations and hotels as well as in galleries and theatres. Using the language of film, TV and pop music to explore the complexities and absurdities of life today, Gob Squad’s work is a search for beauty, meaning and humanity amongst the glittering facades and dark corners of contemporary culture.
Credits: Revolution Now! Is a production by Gob Squad in coproduction with the donaufestival Niederösterreich, the Schauspiel Köln and the Volksbühne am Rosa-Luxemburg-Platz. Sponsored by the Berlin cultural administration. Photo: Thomas Aurin.
The Soldiers
Jakob Michael Reinhold Lenz
Venue:
Volksbühne – am Rosa-Luxemburg-Platz – Linienstraße 227, 10178 Berlin
Stage: Großes Haus
Premiere: 25 February 10
Time:
Saturday 17 April - 19:30
Duration: 180 min
Price for IETM participants: 8 €
Language: German, with English subtitles
Genre: Theatre performance
Director: Frank Castorf
With Uwe Dag Berlin, Bärbel Bolle, Margarita Breitkreiz, Frank Büttner, Ada Labahn, Kurt Naumann, Ruth Rosenfeld, Hans Schenker, Mex Schlüpfer, Volker Spengler, Sir Henry, Axel Wandtke, Harald Warmbrunn, etc.
Costume design: Adriana Braga
Light: Hans-Hermann Schulze
Dramaturgy: Sebastian Kaiser
Synopsis:
Already in the late 18th century, J. M. R. Lenz described how, even in peacetime, a standing army is always close to a state of emergency. This is a comedy, in which, according to his theory of the stage, reality is supposed to break into the theatre - which isn't going to be all that funny after all.
Frankenstein's Little Red Riding Hood
Paul F. Walther
Venue:
Volksbühne – am Rosa-Luxemburg-Platz – Linienstraße 227, 10178 Berlin
Stage: 3rd floor
Time:
Friday 16 April - 20:00
Saturday 17 April - 16:00
Duration: tbc
Price: 10 – 25 €
Language: German
Genre: Theatre performance
Please note that booking is not possible in advance for Frankenstein's Little Red Riding Hood. Bookings shall be made at the venue directly.
Stage direction and music: Puppetmastaz
With Puppetmastaz + Ensemble
Synopsis:
Club veterans Puppetmastaz try a balancing act between grown-up theatre and children's theatre, horror film and musical. In a psychedelic mélange of the Brother Grimm's fairy tale and the Frankenstein legend, the walk through a dark forest and the creation of a new self interfere with each other as the central themes.
Berlin Alexanderplatz
A free adaptation of the Schaubühne Berlin of Alfred Döblin’s novel with choirs of Volker Lösch and the ensemble
Venue:
Schaubühne am Lehniner Platz, Kurfürstendamm 153, 10709 Berlin
Time:
Sunday 17 April - 20:00
Duration: 120 (no intermission)
Price for IETM participants: 11 €
Language: German
Genre: Theatre performance
Performers:Sebastian Nakajew, Eva Meckbach, David Ruland, Felix Römer
Choir: Robert Elsinger, Lars Götze, Volker Hauptvogel, Andreas Knud Hoppe, Toni Jessen, André Kaczmarczyk, Para Ndombasi Kiala, Mohamad Koulaghassi, Johannes Kühn, Markus Lamberty, Rose Louis-Rudek, Dirk Muchow, Wolf Nachbauer, Peter Paul, Lutz Rinke, Heather Sacks, Ralph Schacht, Detlef Schnurrbus, Uwe Seidel, Felix Tittel, Doreen Zanona
Director: Volker Lösch
Choir Director: Bernd Freytag
Setting: Carola Reuther
Costumes: Cary Gayler
Dramaturgy: Beate Seidel, Maja Zade
Lights: Erich Schneider
Synopsis:
1929. Franz Biberkopf has done his time in Tegel prison and is let out. He is struggling to lead a normal life. 2009. Using the story of Franz Biberkopf as a literary frame, the project »Berlin Alexanderplatz« by Volker Lösch explores the fate and experiences of released prisoners with a choir of present-day Biberkopfs and actors.
Additional information:
The director: Volker Lösch has been working as a director amongst others in Düsseldorf, Graz, Hamburg, Leipzig and Zurich. Since 2005 he has been a member of the Artistic Direction of the Schauspiel Stuttgart. His production »Marat, was ist aus unserer Revolution geworden« was invited to the Theatertreffen 2009, Berlin. With »Berlin Alexanderplatz«, he is directing for the first time in Berlin. Photo: Heiko Schäffer.
What! This is supposed to be epic theatre?
A scientific entertaining piece of art for the masses, this time unfortunately without Brecht, however with a surplus of women and music
Venue:
Schaubühne am Lehniner Platz, Kurfürstendamm 153, 10709 Berlin
Time:
Thursday 15 April – 20:00
Saturday 17 April - 22:30
Duration: tbc
Price for IETM participants: 11 €
Language: German
Genre: Theatre performance
Synopsis:
Imagine you met somebody who claims to be a certain Bertolt Brecht and who would like to show you a brief scenic imitation of some real event, so that you, subsequently to his performance would be totally convinced that Socialism should be established and that all this also serves Beauty and Truth. Would you buy brass from him, let alone a theatre ticket?
Additional Information:
The Schaubühne Berlin represents a contemporary, experimental and international theatrical process. Since its foundation in 1962 well known directors have created theatre pieces, initially at the Hallesches Ufer site, and, since 1981, at Lehniner Platz. Countless tours all over the world, prizes and awards for directors, productions and the ensemble speak volumes about the artistic team’s success in developing the Schaubühne’s renown under Thomas Ostermeier’s leadership.
The director: Patrick Wengenroth (born in Hamburg in 1976) is a director and translator. He developed the theatre show format »Planet Porno« in 2003. The show can now be found at the Hebbel am Ufer/HAU. He has directed at the Staatsschauspiel Dresden, at the Munich Kammerspiele and at the Schauspiel Cologne, among other places. For Schaubühne Berlin, he directed the three-part series »What can a well-established playhouse really achieve? A guideline through civic life in three parts by and with Friedrich Schiller« in 2009. Photo: Heiko Schäffer
Third Generation
Yael Ronen
Venue:
Schaubühne am Lehniner Platz, Kurfürstendamm 153, 10709 Berlin
Time:
Friday 16 April – 20:30
Saturday 17 April - 20:30
Duration: 120 minutes
Price for IETM participants: 11 €
Language: German, arabic, Hebrew and English with German subtitles
Genre: Theatre performance
Director: Yael Ronen
Dramaturgy: Amit Epstein, Irina Szodruch
Video: Arig Avigdor, Erez Galonska
Performers: Knut Berger, Niels Bormann, Karsten Dahlem, Ishay Golan, George Iskandar, Orit Nahmias, Rawda, Ayelet Robinson, Judith Strößenreuter, Yousef Sweid
Synopsis:
A »work in progress« by Israeli playwright and director Yael Ronen, together with her team and a company of actors from Israel, Palestine and Germany, analyses the Gordian Knot that characterizes these three nations. Concepts
like memory, guilt, what makes a culprit and what makes a victim, and what those concepts mean to us now, both in their public and private use, will be scrutinized.
Additional Information:
Yael Ronen was born in Jerusalem in 1976. She is one of the most important theatre directors in Israel, because of her provocative work. Ronen studied playwriting in New York and Tel Aviv She began working with the Schaubühne in the context of the 7.Festival International New Drama (FIND), where she presented, amongst others, »Plonter«. In 2008, she presented »Third Generation«, a work in progress production with German, Israeli and Palestinian actors, a co-production with the Habima National Theatre of Israel/Tel Aviv. Photo: Heiko Schäffer.
Trust
Falk Richter and Anouk van Dijk
Venue:
Schaubühne am Lehniner Platz, Kurfürstendamm 153, 10709 Berlin
Time:
Friday 16 April – 20:00
Duration: 105 minutes
Price for IETM participants: 11 €
Language: German and English
Genre: Theatre and dance
Author and Directior: Falk Richter, Choreography: Anouk van Dijk
Performers: Lea Draeger, Vincent Redetzki, Judith Rosmair, Kay Bartholomäus Schulze, Stefan Stern
Dancers: Peter Cseri, Anouk van Dijk, Jack Gallagher, Nina Wollny
Music: Malte Beckenbach
Set Design: Katrin Hoffmann
Costumes: Daniela Selig
Dramaturgy: Jens Hillje
Lights: Carsten Sander
Synopsis:
In their project »TRUST«, Falk Richter, author and director, and Anouk van Dijk, dancer and choreographer, and an ensemble made up of actors from the Schaubühne and dancers from the anoukvandijk dc company, explore the shaky foundations and mechanisms of human bonds against the background of current crises. Relationships build up and break down in ever shorter time-scales; they become a resource in an increasingly intense competition. Binding, seperating. Buying, selling. A picture is presented of human beings who, over the years, have radically intensified modern individuality and celebrated independence as an ideal.
Additional Information:
Falk Richter, born in Hamburg in 1969, studied directing at Hamburg University. In 2004 he wrote and directed »Under Ice«, and »Hotel Palestine« as part of a cycle called »The System« at the Schaubühne. Since 2006/07 he is associated director at the Schaubühne, where he presented amongst others »The Disturbance«, »State of Emergency«, and FriedrichSchiller’s „Intrigue and Love“.
Anouk van Dijk studied Dance at the Rotterdam Dance Academy and worked as a solo dancer until 1985. In 2000 she was awarded the Dutch Lucas Hoving Prize. She has been running her own dance company since 1998, touring her works internationally ever since. She has by now created fifteen full evening works and twenty shorter choreographies. Photo: Heiko Schäffer.
Writers’ Long Night
Venue:
Deutsches Theater - Schumannstraße 13, 10117 Berlin
Time:
Saturday 17 April - 19:00
Duration: 240 min
Price for IETM-participants: 11 €
Language: German
Genre: Play reading
Please note that booking in advance is not possible for Writer's Long Night. Bookings shall be made at the venue directly.
Juror: Michael Althen
Synopsis:
In this festival committed to new discoveries, a selection of guest appearances presents the most exciting staging of contemporary German drama. In addition, from the circa 160 submitted theatre pieces, juror Micheal Althen has selected the four most interesting to be shown in the finale of the festival during the “Writers’ Long Night”. These will be shown as workshop performances with directors and actors from the Deutsches Theater.
Additional information:
More information after March 3rd under www.deutschestheater.de
Important information:
Ending of the Author Theatre Days Berlin 2010, 6 – 7 April 2010.
Zornig geboren
Darja Stocker
Venue:
Maxim Gorki Theater - Gorki Studio Berlin, Hinter dem Gießhaus, 10117 Berlin
Stage: Studio
Time:
Sunday 18 April - 20:15
Duration: 100 min
Price for IETM-participants: 9 €
Language: German
Genre: Theatre performance
Director: Armin Petras
Performed by actors of Maxim Gorki Theater Berlin
Synopsis:
Sophie has every possible chance. She wants to change her world but she doesn’t know how. Her father Benjamin, the failed activist from a youth movement, tracks down his mother’s past. Olivia worked for the Resistance in Paris until she was put into a concentration camp; and even today she says nothing about this. Olivia’s neighbour Mara married and moved away to Germany. She hopes in vain for freedom in the West. In family life and in friendships, this play searches for the potential of rebellion and resistance, and it tells of escapes into a melancholy which penetrates everything.
Additional information:
Darja Stocker (born 1983) writes prose and theatre texts. With her debut “Nachtblind” she won the author prize of the Heidelberger Stückemarket in 2005. At the moment Darja Stocker is living in Berlin.
Armin Petras stages the play using strong images and breaks, in which past and present interfere in a highly contradictory manner, and shows powerfully the expressive poetic of the text.
“Zornig geboren” was honoured as the second best foreign play at the 13th Festival de Teatro de La Habana won the prize Premio Villanueave de la Critica Teatral Cubana in January 2010. Photo: Bettina Stoess.
Credits:
"Zornig geboren" arouse at the Maxim Gorki Theater in the context of a scholarship to the theme “Rebellion and melancholy” which was promoted by the culture funds of the capital.
New Babel Sounds
David Moss and Muziektheater Transparant
Venue:
Neuköllner Oper - Karl-Marx-Straße 131, 12043 Berlin
Stage: Richardstraße 105/ “Passage”, Heimathafen Neukölln
Premiere: 18 April 2010
Time:
Saturday 17 April - 19:00
Sunday 18 April - 19:00
Duration: ca. 120 min
Price for IETM-participants: 9 €
Language: Multilingual, music
Genre: Music theatre
Please note that booking in advance is not possible for New Babel Sounds. Bookings shall be made at the venue directly.
Synopsis:
Berlin’s Neukölln district is the future: here 160 nationalities live crowded together, with all the expected difficulties and their unused potential. What does the future sound like; what does Neukölln sound like? For this OpenOp, the festival expands to a large-scale all-encompassing action that brings together eight vocal artists from different European countries with a multinational choir of Neukölln-based amateur performers. “In this song-spectacle, we intend to draw a sounding image of Europe that conquers the Babylonian vocal confusion and creates a new uniting of diverse voices and experiences. In this way, from hubris and presumption, a new Babel is built on the strength of mutual interest and respect.”
Additional information:
Co-production with the Operadagen Rotterdam and the Muziektheater Transparant, Antwerp, on initiative of Neuköllner Oper. Photo: Steffen Jänicke.
Important information:
During OpenOp "European Festival of alternative Opera".
Women-Hammam
Freely inspired by Strindberg “The Stronger”
Venue:
Ihsan Othmann Theaterhaus Berlin Mitte - Wallstraße 32, Berlin 10179
Time:
Sunday 18 April - 19:00
Duration: 70 min
Price for IETM-participants: 6 €
Language: German
Genre: Theatre performance
Direction: Ihsan Othmann
Choreography: Modjgan Hashemian
Actor: Cornelia Werner
Dancer: Johanna Lanzaro
Music: Christoph Knitt
Synopsis:
“Woman-Hammam” was performed in November 2009 in Suleymania, with the support of the ITI Germany and the Goethe Institut, in German, Arabic, Persian and Kurdish under the dramaturgical supervision of Ihsan Othmann. The play develops as a theme the situation of women in different cultural circles, whose husbands take a second wife or mistress…
Additional information:
Ihsan Othmann: Berlin-based director and actor from Dohuk (Kurdistan/Iraq).
Modigan Hashemian: Berlin-based choreographer and dancer from Isfahan/Iran.
Important information:
Theatre congress within the context of the German-Iraqi culture exchange: General programme and five plays from 18 to 22 April 2010. Photo: Zhwan Abdul.
Charlotte de Haas & Band "Back on stage"
Charlotte de Haas & Band
Venue:
ufaFabrik - Viktoriastraße 18, 12105 Berlin
Stage: ufaFabrik’s Varieté-Salon
Time:
Saturday 17 April – 20:30
Duration: 105 min (2 x 45 min + 15 min break)
Price for IETM-participants: 8 €
Language: English
Genre: Concert Soul/Pop/Funk
Synopsis:
After a two and a half year break you can finally enjoy Charlotte de Haas and her band live on stage once again. A must for everyone who loves handmade music! Inspired by artists such as India.Arie, Me'shell Ndegéocello and Prince, the artist with the incomparably charismatic voice who comes from Berlin Tempelhof developed her very own style.
Additional information:
Together with the Berlin songwriter & producer team SIGA-MUSIC the first album “my orange soul” was produced in 2004. Charlotte de Haas also played as support of Jaguar Wright. Regular gigs in clubs like Quasimodo, Trompete, Spindler & Klatt, at Radio Fritz, Ken Fm and Radio Eins, brought her a wide spread circle of fans.
Louis & Bebe 1 couple 3 lives 3 deaths 6 songs
Joanna Dudley and Schneider TM
Venue:
Sophiensaele, Sophienstraße 18, 10178 Berlin
Stage: Festsaal
Time:
Thursday 15 April - 21:00
Friday 16 April - 21:00Saturday 17 April - 21:00
Duration: 60 min
Price for ietm-participants: 10 €
Language: English
Genre: Music theatre performance
Developed by Rufus Didwiszus, Dirk Dresselhaus, Joanna Dudley
With: Joanna Dudley and Dirk Dresselhaus
Costumes: Pieter Bax
Light: Jens Sethzman
Synopsis:
LOUIS & BEBE presents a maverick couple on stage: Joanna Dudley and Dirk Dresselhaus aka Schneider TM. Joanna Dudley is a long time music theatre performer, Javanese pop queen and classically trained musician. Dirk Dresselhaus has one famed foot in the electro pop scene and the other firmly planted in the world of improvised noise. The non-linear life lines of LOUIS & BEBE are punctuated by many deaths and accompanied by their own sound track of song and pop and noise. Photo: Binder + Partners.
Additional information:
http://www.bp-berlin.com/site/index.php?article_id=452&clang=0
Credits:
A production of BINDER + PARTNER BERLIN in cooperation with sophiensaele. Sponsored by funds of the Hauptstadtkulturfonds, the Initiative Neue Musik Berlin e.V. and the Australian Embassy Berlin, the Swedish Embassy Berlin. With kind support of the Kungliga Dramatiska Teatern Stockholm.
C Berlin
Parallel activities all over the city, Saturday 17 April.
Performing Arts Pecha Kucha
In collaboration with Dock 11 / EDEN and ZTB guest-curator: Max Schumacher for the association Freier Theaterschaffender Berlin e.V.
www.pechakucha.de
Venue:
EDEN***** - Breite Straße 43, 13187 Berlin
Time:
Saturday 17 April - 15:00
Duration: 120 min
Price for IETM participants: Free admission
Language: No text
Genre: presentation of artistic works
Synopsis:
The expression “Pecha Kucha” is Japanese in origin and means “confused babble”. By way of swiftly alternating images shown on a video screen, presenters show either their ideas or their work. None of the presentations lasts longer than 20 visual projections or 7 minutes. 12 artists’ groups from Berlin’s independent scene show current performance projects or other “crazy” ideas.
Important information:
Presentation followed by a guided tour through the performance venue EDEN*****.
Additional information:
German Theater Abroad, Gob Squad, post theater [new york / berlin / tokyo] among others
ehrliche Arbeit - freelance office for culture Open Exchange of Independent Performing Arts Producers
Venue:
ehrliche Arbeit - Schönhauser Allee 73a, 10437 Berlin
Time:
Saturday 17 April - 17:30
Duration: 90 minutes
Language: English
Genre: Discussion
Synopsis:
The participants of the IETM meeting are invited to visit ehrliche Arbeit, to meet and talk in their office. Ehrliche Arbeit will offer their guests from the field of production/production management a chance to speak about the role, function and the challenges of independent production – especially in an international context – in an informal setting (max. 10 attendees). To attend please register before April 15.
Important information:
Informal discussion on production
Exhibition project "On Rage"
Various artists
Venue:
Haus der Kulturen der Welt - John-Foster-Dulles-Allee 10, 10557 Berlin
Stage: Debate room in the exhibition hall
Time:
Saturday 17 April - 14:30
Duration: 120 min
Price for IETM participants: Admission free
Language: English
Genre: Exhibition project guided tour and discussion
Guided tour and discussion with Valerie Smith and Bernd M. Scherer
Synopsis:
The project ON RAGE puts up the question whether there is a new “culture of rage” in the current economic and political crises. How can this rage be tapped for positive future developments? The artists, among them Regina José Galindo, Klara Liden and Michael Rakowitz, examine the impulse of “rage” in trans-cultural and trans-historical perspectives. We will analyze how rage erupts under specific living conditions and in communities.
Dancing and Dining
Walter Bickmann, Kelvin Hardy, Irina Spaar, Clint Lutes, Ini Dill, Elke Rindfleisch
Venue:
Marameo – Wallstraße 32, 10179 Berlin
Time:
Saturday 17 April - 17:00
Duration: 75 min
Price for IETM participants: Admission free
Language: Dance, no language
Genre: Dance showcase
Curated by Marameo
Synopsis:
Marameo gives artists of Berlin and the international community a safe haven for the development of choreographic ideas plus daily training classes for dancers. Marameo will be showing 6 new works and works in progress by choreographers from Berlin and the international community:
“icon” by Walter Bickmann
“Songs of the equinox” by Kelvin Hardy
“No way” by Irina Spaar
“Get your legs up” by Clint Lutes
“M.J.” by Ini Dill
“Adele” by Elke Rindfleisch
Important information:
Dancing and Dining means that there will be a long dining table, with free c-food, between the Theaterhaus and Marameo.
Wiederker der Landschaft - Return of Landscape
Guided tour with Susann Ahn, landcape architect in Munich
www.adk.de/landschaft
Meeting Point:
Akademie der Künste, Hanseatenweg 10,10557 Berlin-Tiergarten
Exhibition Foyer, first floor
Time:
Saturday 17 April – 17:00
Duration: 90 minutes
Price for IETM participants: Free admission
Language: English
Genre: guided tour
The 20th-century city was built in opposition to the countryside. The ecological consequences have resulted in climate change, water scarcity, and species
extinction. The 21st-century city will therefore need to evolve from the countryside itself. This requires creative and sustainable solutions, as well as a new and
emotional approach.
K44
Curated by Les travaux cachés *agents des arts vivants*, Christian Rudolph and Brina Stinehelfer
Venue:
K44, Klosterstraße 44, 10 179 Berlin
Time:
Saturday 17 April – 14:45
Sunday 18 April – 15:30
Duration: Different durations, please refer to downloadable programme
Price for IETM participants: 5-8 €/ combined & reduced tickets will be available
Language: English
Genre: Dance showcase
Synopsis:
Presenting 10 diverse performances on three different stages, this day long showcase represents some of the most unique and inventive dance, theatre and performance works of the Berlin performing arts scene.
Saturday 17 April
14:45 - "WOWY€$" by company/ artist: PAA- Public Artistic Affaires / TOMI PAASONEN
15:30 - "Woran ich merke was für ein Viech ich bin" part 2 (How I do realize what kind of creature I am /part 2) company: TWOFISH
16:15 - "(making of) District"/ by and with: Lena S. H. Meierkord & Hyoung Min Kim
17:00 - "PLAYING TO WIN" - How to Manipulate Others and Gain What You Want from Every Situation; by: PER ASPERA PRODUCTIONS / BRINA STINEHELFER
17:15 - "can you still smell the coffee? - PUNANI TSUNAMI" by Sarah Grether and Martin Hansen
18:15 - "3SOME" by and with: Knut Berger and Nir De Volff / TOTAL BRUTAL /
20:00 - "WENN DU SINGEN KÖNNTEST, SCHMETTERLING" (if you could sing, butterfly) by: Heike Schmidt & Thilo Th. Krigar
21:00 -"WiERD" by: WAS EUCH FEHLT
21:15 - "what they are instead of" by and with: Angela Schubot & Jared Gradinger
Sunday 18 April
15:30 - "MATKOT" by: Nir De Volff / TOTAL BRUTAL#
Additional information:
Download this programme for whole overview.
TWOFISH, per aspera productions, PAA- public artistic affaires, Knut Berger & Nir de Volff/TOTAL BRUTAL, Hyoung M. Kim & Lena S.H. Meier-Kord, Was euch fehlt, Heike Schmidt & Thilo Th. Krigar, Angela Schubot & Jared Gradinger, Sarah Grether & Martin Hansen. Photo: Marc Seestadt.
IFÜ - Institut für Überlebensstrategien
Culture in the crisis – An interactive performance installation
Artistic directors: Ursula Maria Berzborn, Grotest Maru
Venue:
Kunsthaus Kule Grotest Maru - Kule Theater, Auguststraße 10, 10117 Berlin
Time:
Friday 16 April - Lounge: 15:00-19:00 and 21:00-open end
Saturday 17 April - Lounge: 15:00-19:00 and 21:00-open end
Office: 15:00-18:00
Price for IETM participants: Admission free
Language: Non-verbal and German, English, Spanish, French, Dutch.
Genre: Performance installation, Consultation at the office
Synopsis:
Do you function in the system? Take a break! Relax in the Survival Lounge in the heart of Berlin! We can help you through everyday excesses. Join us in the research of cultural developments in the metropolis. Just how long do we plan to play along with “the game”?
In our office we offer an individual consultation and our staff will inquire into your experiences. The results of this study will be shown in the evening in our lounge, where you can relax in an international atmosphere. Spend the rest of the day with us!
Important information:
On Saturday afternoon, the consultation office will be open for individual 15-minute sessions. Please register, and the organisers will get back to you in April to indicate to you which time slot you have been allocated, between 15:00 and 18:00, together with 4 other participants. Photo: Martin Scheer.
C Berlin – C Plan C examples
Saturday 17 April
Visiting creative solutions with artistic directors paired with urban planners, bar owners etc. in Berlin districts “Mitte”, “Kreuzberg”, “Friedrichshain” and “Tempelhof”. Leading questions are:
- What is the role of arts and cultural life in urban development projects in Berlin?
- In which way does the creative approach have a say in the political and economical discussion about change in Berlin?
Limited number of participants for each of the floolowing tours. Registrations are highly recommended!
15:00 – 17:00 MITTE
The Palace Square: from Berlin Castle to the Palace of the Republic to a “Volkspalast” to a public parc to a … castle?
Presenters: Volker Hassemer, Senator for urban development a.D. & Amelie Deuflhard,
Kampnagel Hamburg and Speaker a.D. of the artists-group “Volkspalast” in 2004
Meeting Point: Temporäre Kunsthalle, Café, Schlossfreiheit 1, Schlossplatz, 10178 Berlin-Mitte
15:00 – 17:00 KREUZBERG
From Bagdad to Kotbusser Tor
Presenters: Matthias Lilienthal, Artistic Direction, HAU & Benjamin Foerster-Baldenius, Initiator of “Raumlabor”, an interdisciplinary laboratory investigating strategies for urban renewal.
Meeting Point: Bistro Bagdad at Metro Station “Schlesisches Tor” (U1)
16:00 – 18:00 FRIEDRICHSHAIN
Spree Creativity or Mediaspree? – an actual debate
Presenters: Jochen Sandig, Artistic Direction, RADIALSYSTEM V & Juval Dieziger, Initiator of the Bar 25 & Christian Schöningh, Initiator of an alternative construction group on the waterside of the river Spree
Meeting Point: tbc
14:30 - 15:30 TEMPELHOF
UfaFabrik: A cultural oasis for sustainable development
Presenters: Daniela Titze, Programme Manager UfaFabrik & Rudolf Brünger, Initiator and Manager of UfaFabrik
All participants might have lunch before in the ufaFabrik Café where warm and cold meals are served (4€ - 8 €)
Meeting Point: Main gate of UfaFabrik, Viktoriastraße 18, 12105 Berlin-Tempelhof
